Research On Yu Xiaodong’s Tibetan Painting

Yuxiaodong as a Chinese oil painter of contemporary realism has attracted extensive attention in the domestic art circles in recent years.Most of his works focus on themes of ethnic minority group,especially the Tibetan theme of the performance created a profound impression on people.In his paintings of this kind of subject,the image is solid and subtle;the rhythm of picture is smooth;the brush stroke is vertical and horizontal;the application of color is moist;painting quality is meticulous but not lose in the stiff and greasy;the roughness will return to the rich;the language expression is maturing day by day.They have displayed a kind of strong realistic ability to control and the real feeling of sketching.His masterpieces can penetrate the image and directly point to the soul.Now,Yu Xiaodong operates abstract elements more subjectively in realism,which is related to the language rhythm of oil painting,such as strokes,colors and so on.The composition of dots,lines and surfaces between two-dimensional plane and three-dimensional space,as well as the composition,shape and color transformation are becoming more and more smooth,and his personal style is clear.The Chinese style of his sketch and oil painting is emerging.This paper will combine the aspects of creative process to Yu Xiaodong’s Tibetan painting,his living environment,subject matter,humanistic care and so on to analyze his works.As the watchman of classical painting,Xiaodong constantly practices his insistent viewpoint in his creation,especially in the painting of Tibetan materials.This is closely related to his life experience in the Tibetan area,and is the embodiment of his humanistic care for the Tibetan people.Also,this is his own reflection on painting and life.This paper mainly analyzes and studies the features and works of Xiaodong’s Tibetan painting,tries to analyze a complete artistic language through his painting,material collection,picture form and so on,studies the style and transformation of his Tibetan painting,and discusses the artistic language belonging to Xiaodong..This paper discusses the art language of Yu Xiaodong,but it also has the commonness of art and its own practical significance.It can be used for reference by university students,and can provide a full range of help when learning the art of oil painting.This kind of language has the commonness of art,has its own practical significance,can be recognized and used for reference by the vast number of students when they studying oil painting art as far as possible to provide a comprehensive help.