The Research Of Methods And Modes Of Seeing In Painting

As an important composition of art,the art of painting relies on visual observation to obtain visual information,it is a form of art that at the same time records,summarize and refines the visible modeling images to express and create.This article focuses on the analysis and research of the viewing method of artists and schools that have significant promotion to the revolution and transformation from various periods and regions.It carries out the painting practice creation of this subject according to the more specific methodology formed by the systematic summary based on the analysis of viewing method of formation obtained.This article is separated to four chapters to analysis and discuss: the first chapter mainly discusses the basic concept of viewing method in painting art and divides it into three important parts: the interaction between viewing concept,viewing behavior and viewing image conservation thinking.At the same time,the individual diversity and identity of the way of viewing are expounded.Lastly,it discusses the objective connection between viewing and the art of painting.The second chapter is divided into five sections which analysis the viewing methods used by artists or schools and the theories developed while using them.The first section mainly analysis the viewing methods in western and traditional Chinese painting.It expounds that western painting mainly combine art and science influenced by humanism in the Renaissance,thus developed the viewing method of perspective.The second section mentions that traditional Chinese painting is influenced by the thought of “the Unity of Man and Nature” and pursues the expression of mental representation to use the method of scatter perspective.The application of concept ‘Yuan’ during the development of painting methodology of traditional Chinese painting.The third section describes the innovation of the visual expression of the inherent viewing way in the exploration of the light and color of the visual moment in the impressionist paintings.The fourth and fifth sections take the Cezanne as the father of modern western painting and Picasso as the representative of cubist painting to talk about the influence from impressionism on Cezanne during the development of his viewing method,and Picasso accepted Cezanne’s viewing method of emphasizing on the structure to some extent,and then formed the viewing method of analytical structuring recombination to restore ‘real’.The third chapter mainly describes the relationship between image and painting art under the big environment of the widely application of photography,and at the same time studies the birth of realism due to the combination of photography and painting,and the specificapplication of viewing method of David Hockney’s collage photography.The fourth chapter’s main content is the creation method summarized after the study of the viewing method which is applied to the concept of ‘time thickness’ and the practical creation to express the concept.