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The Influence Of The Thinking Of Chuang-tzu On The Chinese Painting Ways Of Viewing Objects

Posted on:2017-04-24Degree:MasterType:Thesis
Country:ChinaCandidate:T ShiFull Text:PDF
GTID:2335330509954382Subject:Fine Arts
Abstract/Summary:PDF Full Text Request
Chinese painting concept of attitude to lay, the source to discuss early philosophical problems, under the inspiration of Laozi's thought, discussed earlier in the with and without, void and solid, gas and the like relationship, these areas gradually become aesthetics frequently discussed problem, also profoundly affects the attitude of Chinese painting. Zhuangzi in based on the integration of Lao Tzu's thought is more emphasis on "no" pondering, become the most aesthetic means the thinkers of the pre Qin period, profoundly affects each period aesthetic trend. Especially profound influence on Chinese painting in Wei and Jin Dynasties, is in the village school sports under the background of bred out of the. The essence of art is the spirit of freedom, and other means of painting to the interpretation of the spirit of art China. Chuang-tzu Taoism from philosophy to aesthetics and painting the painting concept step by step penetration China attitude has always maintained contact with the precision of "Tao" and the spiritual purport of fusion between. Chinese painting advocating write God's spiritual pursuit is influenced by Taoism, even has a profound impact on the artists on the attitude, joy in like and do not like look for and hold the "like" is Chinese painting different to other paintings, and advocating freehand brushwork in traditional Chinese painting is one of the major characteristics.This article from Zhuang Zi's thought of Chinese painting concept of attitude influence the source of to discuss the outlook attitude is the tone of God laid, and Zhuang Zi's thought in deconstruction, criticism, creation of a series of "after modernity" the concept of contemporary artists enlightenment to the Chinese painting. This paper is divided into five chapters, the first chapter analyzes the present situation of the research, discusses the research significance and methods of this research. The second chapter discusses the influence of China painting concept of Lao Zhuang thought lay attitude on early. The third chapter expounds Chuang-tzu thought influence China painting view manner. The fourth chapter discusses the influence of Chuang-tzu's Thought on Chinese painter's mind. Fifth chapter, draws the conclusion and the enlightenment.Zhuang Zi's thought of Chinese painting concept of attitude influence is passed down from the pre Qin philosophy, penetrated into every dynasty and affects the subject in the art of painting concept of fashionable, Shang Yun, Shang Yi, pursuit of freedom is still, at the same time also makes the body is really, still game, is nature view is a state of mind, painting is gradually moving towards self, aesthetic subject spirit, experience in the research process of Zhuang Zi's thought of "post modernity", combined with the paper reaches the conclusion that Chinese painting concept of attitude is generally has praised the era significance and the innovative significance of.
Keywords/Search Tags:Chuang-tzu thought, View object attitude, Painting, Artistic spirit
PDF Full Text Request
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