A Study On The Rural Affinity Of Art Sponsorship By Huizhou Merchants In Yangzhou In The Early Qing Dynasty

Yangzhou was a city of immigrants at the beginning of the Qing Dynasty.At that time,although the painting industry in Yangzhou did not reach its peak in the middle of the Qing Dynasty,it had begun to attract scholars from all over the world to gather here.In this paper,in the arts in the early qing dynasty,yangzhou sponsorship as a starting point,through to the foreign artists ke Yang at the beginning of the qing dynasty of the regional cultural ecology,and to delve into yangzhou hui Yang home in this particular time and space in the history of interactive connection,in this paper,in addition to review famous painter,try to pay more attention to the relative shielded does not have the desired famous painter group,From this analysis of the early Qing Dynasty to Yang calligraphers and painters and Yangzhou Hui merchants in the interaction between the formation of art sponsorship of rural issues.Starting from the regional cultural ecology of Yangzhou in the early Qing Dynasty,this paper sorts out the groups of foreign calligraphers and painters who came to Yangzhou in the early Qing Dynasty and their regional composition,and analyzes the reasons and demands for them to come to Yangzhou.Secondly,combining with the artist’s individual life,friends,sponsorship,etc.,paint or long residence yangzhou,or different types of short-term between Yang Yang home in yangzhou life trajectory,and the early qing dynasty to young foreign artists groups when dealing with the yangzhou region human survival environment of different options,through analysing to qing Yang township home and yangzhou humanities ecology association,This paper puts forward the problem of the rural afiliation of the art sponsorship of the early Qing Hui merchants in Yangzhou,and further analyzes the ways and causes of the rural affiliation of the art sponsorship of the early Qing Hui merchants in Yangzhou.The residence of Hui calligraphers and painters in Yangzhou has the most direct relationship with Hui merchants in Yangzhou.Such as Zha Shibiao,Cheng Sui,Wang Zhirui,Wang Zunsu and other Hui painters lived in Yangzhou for a long time,and some of them,such as Zan Ruzhi,Zan Ruying,Qian Chengzhi and so on,formed the phenomenon of "Hui nationality" in Yangzhou painting circle in the early Qing Dynasty.Among juyang painters,the artistic sponsorship of huizhou merchants in the early qing dynasty has shown its diversity,and played an important role in the growth of lai Yang painters in the early qing dynasty.Huizhou merchants a large number of art collection for the Hui-book artists to build a good platform for the ancient archaize.Hui merchants not only collect ancient famous works,but also buy and collect works of Hui painters of the same period or predecessors,so that the works of Hui painters have a certain art market in Yangzhou,so as to solve the livelihood problem.There are many reasons for the sponsorship of Huizhou merchants.One of the important factors is the strong clan culture which was formed under the influence of Cheng Zhu’s Neo-Confucianism.For those Hui merchants who had been living in Yangzhou for a long time and had not returned to their hometown,"when they looked back on the mulberry-catalpa,they were only smiting their dreams".Therefore,in the early Qing Dynasty,a large number of works with the theme of Huangshan Mountain were produced for them to "lie down" in a foreign land.The painters and merchants of Hui nationality were willing to relieve some of their homesickness from the landscape paintings of their hometown.The relief of homesickness in other places also reflected the strong feelings of Huizhou merchants in the regional cultural ecological circle of Yangzhou in the early Qing Dynasty.