This paper takes the Suite No.1 of Max Reger’s Unaccompanied Viola Suite(Op.131d)by the German composer in the late 19th century as the research object Through exploring the historical environment and creation concept of the composer,this paper takes this as the textual basis of music analysis,and then studies the music technology.In the study of music technology,the author will examine and observe the suite through the analysis of works(including factors such as music structure,harmony and materials)and the analysis of performance techniques(including elements such as strength layout,rhythm rule,timbre matching characteristics and acoustics coordination).In order to examine and observe the suite,and more comprehensive,macro,in-depth cognition of the work and behind the music of the composer’s creative philosophy,to provide more theoretical basis for the author’s understanding and thinking of the work,but also for the academic understanding and grasp of the work to provide further materials and perspective. |