Research On The Transformation Of Chinese Mythological Resources In Domestic Animation Movies

With the development of mythological theories represented by "mythism",mythological traditions have been applied and retelled in modern and contemporary society,and mythological resources have been continuously expanded to be applied and transformed in various new contexts.With the support of video technology,mythological resources re-enter modern life in the form of video works.As one of the "video paradigm" categories,Chinese animation films are the product of the combination of art and technology,and contain rich narrative structures and mythological resources of bizarre literary imagination.It has strong expansion power in terms of role setting,theme connotation,story plot,etc.In the application and transformation of Mythological resources,Chinese animation films have created the largest artistic creation space for it,reaching from the content and technical level.Consistency of aesthetic style.Whether it’s the domestic animated film "Princess Iron Fan" in the 1940s,the world-famous "Havoc in Heaven" during the "Chinese School" period,or "Nezha’s devil Boy" with a box office of 5 billion in recent years "The Coming of the World",these excellent domestic animated films have a strong national character,and they are also the application and transformation of Chinese mythological resources.In the first chapter,the author will analyze and verify the necessity and importance of the transformation of Chinese mythological resources into animated films from the perspectives of economic and cultural,internal Chinese animation development and external nationalization.The second chapter is the case of the author through the transformation of the story content of the mythology in Chinese mythology resources in domestic animation movies,the independent personality remodeling of mythological prototypes in domestic animation movies,and the transformation of the modeling scenes of mythological elements in the lens language.Analyze,summarize and summarize the uniqueness of its application transformation.In chapter three,the author will summarize and sort out the dilemma of the application and transformation of mythological themes,mythical stories,and the mythological elements in the lens language of Chinese mythological resources in domestic animated films.By the fourth chapter,the author will make a one-to-one solution to these transformation dilemmas,through the innovation of the myth theme range and the large-scale creation of the myth IP to solve the problem of limited themes;through the nationalization and modernization of the myth story The fusion and creation of content solves the lack of localization in the narrative method of story content;through the national design of plastic art,lens language and the establishment of a film classification system,it solves the dilemma of the transformation of mythological resources in lens language.The application and transformation of Chinese mythological resources in domestic animated films has not only brought mythology back to life,but also allowed domestic animated films to take the national traditional elements and Chinese spirit into the world,telling Chinese stories to the world,and sharing the world.Love the Chinese spirit.