A Study Of Misty Poetry Literary Criticism And The Construction Of Literary History Image

The direction and evolution of the hazy poetic criticism discourse is essentially a microcosm of the changes in contemporary Chinese literary criticism.In the early stages,it went from the debate of aesthetic ideological category to the selection of political level,and suffered in the mid-to-late 1980 s.The "siege" of a group of poets who wrote for the masses,the political enthusiasm and grand writing of hazy poems were discarded.Each questioning voice undoubtedly adds to and deepens its external poetic influence in hazy poems,and even enters the writing of literary history with literary phenomena "to be discussed".It should be said that the obscure poem gradually completes the establishment of its legitimacy under this mode of criticism of court resistance.Since the late 1980 s,critical articles about the poetic value of hazy poetry have emerged endlessly.In the process of multi-dimensional interpretation of the aesthetic category and the re-evaluation of poetic value,researchers have given hazy poems a variety of cultures including humanity and tragic hero The image no longer stays in the floating value orientation of the so-called "rebel" in the narrative of literary history.Therefore,this article is based on the criticism of hazy poems in different periods,based on its reflective perspective on the ideological value and artistic characteristics of hazy poems,in order to try to compare the meaning obscuration caused by the "singular" narrative of hazy poems in literary history.This article conducts research from four levels.Chapter One: "Rebellion: Aesthetic Principles That Generate" New "in Fracture".Misty poems,as a new trend of poetry creation at that time,will inevitably lead to many debates and crusades in the field of poetry.It is also based on the discourse environment of a particular period,which makes hazy poems always in the complex contradiction of literature and politics.Therefore,when we return to the field of debate and embark on a new way of development for the contemporary Chinese poetry criticism by reviewing the "three rises",it can be summarized that the "rebellious" image of hazy poetry is brewing here.And this "rebellion" is not only reflected in the departure from ideology,but also conceived in the delicate and unfamiliar language art,and with th multi-angle deepening of later aesthetic criticism,the image of "rebellion" in hazy poems has become more popular.Chapter 2: "The Meaning of Enlightenment: High Humanism".The enlightenment image established by the hazy poets is deeply rooted in their calling and calling for the value of "humanism".Therefore,by appreciating the early creation of the obscure poet,you will find that it has connected the long-sleeping "May Fourth" humanistic spirit with the pluralism of art and the revolutionary nature of emotions.It is not only a combination of speculation and rationality.Artistic expression is also a link between traditional Chinese poetics and the western modern aesthetics resources.The modern consciousness of the obscure poets and the realistic desire of the new May 4th poems have a strong emotional resonance.Discourse mechanism to achieve the cross-generational docking of the two.Chapter 3: "Interrogation: The Tragic Hero Under the Wheel of History".In the mid-to-late1980 s,when the "third generation" poets attempted to violently criticize the obscure poet with a strong rebellious spirit and intergenerational consciousness,the reflection on the aesthetic and poetic values of the obscure poetry began.For Yu Jian,Han Dong,and others who use"consciousness of life" and "distinguishment from the mainstream" as their poetic experience,the sense of mission and loftiness embodied in hazy poems is destined to be accused as the opposite party.Poets such as Yu Jian use life,presence,common sense,and experience to counter the consistent shore-based trust in the writing of intellectuals’ poetry,and use split aesthetic tastes to counter "front-line" poetry,which expresses the "third "Generation" poets’ resistance to the intertwining of poetry and social life.Not only that,the return theory of the spirit of the May 4th Movement also violated the evolutionary literary view advocated by the "third generation" poets.It is under the inspiration of multiple skeptical theories that the "tragedy hero" image of Misty Poetry came into being.Chapter 4: "Image Construction of ’Misty Poems’ in Literary History".Misty poems,as a highly controversial poetry phenomenon,entered the beginning of literary history.The aesthetic meaning and ideological connotation of hazy poems were more or less compressed,and they were relatively fixed "rebels" for a period The image exists and is bound by serious and cautious words.As the connotation of hazy poems continues to increase,the discussions on hazy poems in the field of critical research are not limited to "rediscovery" at the aesthetic level,but also from the perspective of the spirit of poetry.Orientate the role played by the development of contemporary Chinese poetry in China.The significance of hazy poems to the development of contemporary Chinese poetry is multifaceted.As an innovator in reshaping the aesthetic ideals of poetry,an enlightener who returned to the spirit of the May 4th Movement,and a "tragedy hero" under the wheel of history,Misty Poetry really promoted the criticism of Chinese poetry theory through its multiple image changes Development,let poetic criticism break away from surface critique,and move towards a pluralistic direction.Therefore,when the inherent image in the narrative of literary history deviates from the image excavated in the critical literature,the interactive and fused relationship between literary history and literary criticism becomes the focus of our urgent need for reflection.Concluding remarks: Take the surviving situation of the dim poets in the 1990 s as the starting point,as a response to the backwardness of the early image.Especially when the researchers put the poet’s later poetry creation into the overall context of the development of hazy poetry,the research on the hazy poet finally realized the trend of developing in depth,and the judgment of the image of hazy poetry also began to shift from narrow to three-dimensional.The fragile single and empirical knowledge structure collapses naturally.Therefore,the solidified narrative of literary history undoubtedly compresses the richness and diversity of connotations that hazy poems should have.It is also based on the prayer for the poetic ideals displayed by hazy poems.Literary history should also eliminate solidified thinking.Thereby,the image of hazy poems is improved.