Research On The Series Prints Creation Of Folk Residences In Southern Hunan

Chinese traditional residence is an important national cultural heritage,its profound cultural connotation makes it a hot topic in recent years.The nostalgia for the homeland,the pursuit of harmony between man and nature,the unique folk customs in various places,as well as the residential formal aesthetics all promote the traditional residence to become an important artistic carrier.According to the reference and absorption of the excellent residential paintings,combined with personal authentic feelings gained during the creative practice,and contrapose to the environment and historical development of residences in southern Hunan.All of these are to explore the artistic characteristics and formal language in the artistic work of residence in southern Hunan.Traditional culture as a theme of print in the historical process of continuous development,and it has diversified development in the choice of themes and works presented in forms and techniques.During the production of this article,as a keen observer of representative residential image,the author focuses on the rational thinking of the theme,which is in line with the reality of life.He uses measurement,evidence collection,understanding,perception and imagination to satisfy his exact grasp of things,and conduct a systematic analysis of the creations.First,by studying the cultural connotation of the folk residences in southern Hunan,then consider its special research value and practical significance in aesthetics,natural geography,religious culture and so on.Second,analyzes the conception and construction form in detail,which can be sued for reference to the expression form of folk residences.In the end,folk residence uses the concrete and abstract print as the language to convey the folk houses.The research on the folk houses in southern Hunan is also to arouse people’s awareness of protecting ancient culture.