| Today’s world is a world of cultural competition.The prosperity of a country is inseparable from the development of culture."Cultural rejuvenation of the country" has become a consensus in the world.Improving cultural influence is the goal of each country.Since China put forward the concept of "cultural industry" in the 1980 s,the cultural industry has experienced more than 40 years of development.The cultural industry across the country is in a period of steady growth,and the cultural industry has also been put on the national strategic development At the center of gravity,governments around the world have worked out cultural management systems to support the development of cultural industries.Under such an international environment and national policies,the ethnic cultural and creative industry has ushered in unprecedented opportunities and challenges.China has a long history and rich cultural resources,which has a unique advantage in the global cultural industry competition.However,because China’s cultural and creative industry started later than some Western developed countries,it lacks experience in industrial forms and cultural promotion.A large number of cultural resources have not been fully developed,especially the traditional culture of our ethnic minorities.Xilankapu is a tapestry passed down from generation to generation of Tujia people in Wuling Mountain.Because of its unique shape and colorful,it is unique in artistic style.It stands out from many tapestry in China and has now become a representative of our ethnic tapestry.Xilankapu was originally mainly used as fabric.With the development of society,it has gradually become the most representative handicraft of the Tujia.It is a comprehensive reflection of culture,folk customs,beliefs and other aspects of the Tujia’s thousands of years of development.Known as the "living fossil of Tujia culture",it is an important way to study Tujia culture,so it has important inheritance significance.Exploring the artistic characteristics and aesthetic value of the Xilankapu ethnic pattern has important practical significance for the inheritance and development of Xilankapu.In this paper,through the analysis of the sculptural characteristics,color characteristics and composition characteristics of the Xilankapu ethnic patterns,the traditional elements are extracted and combined with the cultural and creative industries to discuss how the traditional patterns of the Silankapu and even the ethnic minorities can be rejuvenated.The new vitality provides cultural connotation for the development of cultural and creative industries in ethnic areas and drives economic development in ethnic areas. |
