Research On Tao Yuanming’s Acceptance In Tang Dynasty

Tao Yuanming is one of the most outstanding poets in the history of Chinese literature.He provides a new survival paradigm for Chinese scholars,which is unique in the history of literature and cultural history.Based on the specific background and acceptance characteristics,this paper makes a holistic analysis of the acceptance of Tao Yuanming in Tang Dynasty,and studies the acceptance of Tao Yuanming in Tang Dynasty.The article is divided into four parts: introduction,text,conclusion and complement.The introduction mainly talks about the reason of the topic,the research status,the classification of the research status,and the significance of the research.The text is the first to the fourth chapters,mainly about the social and literary background of each period,the Tang people’s acceptance of Tao Yuanming and the most remarkable acceptance or criticism in this era.The first chapter of the text tells that the poetry of the early Tang Dynasty continued the magnificent style of writing in the six dynasties.Most of the literati in the early Tang Dynasty accepted Tao Yuanming as a high-spirited hermit critical voices.Wang Ji was the first person to deeply understand and fully accept Tao Yuanming,but Wang Tong,who was in the same house,criticized Tao Yuanming and Wang Ji.It is the collision between birth and entry into WTO.It is a continuation of the debate between famous religion and nature in Wei and Jin dynasties.The second chapter of the text tells about the prosperous Tang Dynasty,the spread of Buddhist thought,the prosperity of manor economy,the rise of common literature and the prevalence of official travel contributed to the prosperity of landscape pastoral poetry,which is also the basis for the poet to accept Tao Yuanming’s poems in the prosperous Tang Dynasty.The poets of the prosperous Tang Dynasty still used Tao Yuanming to express their lofty interests and occasionally criticized.During this period,the pastoral poetry school of the prosperous Tang Dynasty inherited the style of Tao poetry,while Wang Wei’s criticism was the most sharp in his criticism of Tao Yuanming.Li Bai’s criticism is understandable,du Fu’s criticism of Tao Yuanming is predictable.The third chapter of the text tells about the middle Tang Dynasty,because of the Anshi Rebellion,the literati fell to the bottom of the valley and turned to seek the inner self-help.Among them,Wei Yingwu and Bai Juyi are the most prominent.Wei Ying’s materialistic pottery,the most essential characteristic is to imitate its personality,Bai Juyi created the body in the official mind in the natural life paradigm,this thought is a new change to Tao Yuanming personality.The fourth chapter of the text describes the late Tang Dynasty,the party struggle,eunuchs,separation of towns,wars,frequent agricultural changes,in such an era,the literati how to deal with themselves has become a problem,they gradually lost political confidence,began to accept all Tao Yuanming.So in this period,the aesthetic connotation of Tao Yuanming’s poetry has been basically fixed,and his cultural image has been basically finalized.The conclusion mainly summarizes the article.The supplementary theory mainly introduces the difference between using the allusions of Tao and learning Tao.Using the allusions of Tao is not the real acceptance of Tao Yuanming.It can not be considered that as long as Tao is involved in poetry,the author of this poem must have studied Tao Yuanming’s style and style of poetry.