A Study On The Acceptance Of Tao Yuanming In The Poetry Circle Of Limo Xianchu

This article takes the acceptance of Tao Yuanming in the period from late Goryeo dynasty to earlier Chosun Dynasty as the object of study,and explores the poet’s acceptance characteristics of Tao Yuanming’s poetry and prose in his work.Taking Li Ji,Li Se and Quan Jin as representatives,and conducted research from three levels: First,the subject’s inheritance.Second,character and poetry.Third,the development of the form.This paper analyzes the reasons why Tao Yuanming’s poems were outstanding during the period of poetry,summarizes the characteristics of Tao Yuanming’s acceptance of poetry during the period from late Goryeo dynasty to earlier Chosun Dynasty,and proves its position and significance in the ancient Korean Tao Yuanming’s reception history.The full text is divided into five parts for discussion.The first chapter mainly introduces the background of Tao Yuanming’s acceptance in the period from late Goryeo dynasty to earlier Chosun Dynasty in the poetry style.During the Silla period,some of Tao Yuanming’s poems were transferred to the Korean Peninsula due to his poems was selected into Wen Xuan.In addition,in Cui Zhiyuan’s Gui Yuan Bi Geng Ji,there are two poems related to Tao Yuanming,which is the first appearance of Tao Yuanming in the ancient Korean poetry in the existing literature.In the middle period of the Goryeo Dynasty,due to the introduction of Tao Yuanming Ji,the poet who studied Tao Yuanming in the poetry began to increase.Li Renlao wrote the first "He Tao Shi" in ancient Korea.He was the first ancient Korean poet to evaluate Tao Yuanming in terms of his character and poetry.Li Kuibao is the first ancient Korean poet who put forward the idea of “Tao Ti” and imitated it.In the late Goryeo dynasty to earlier Chosun Dynasty,the poetry written by Li Ji,Li Se,Quan Jin,and others who learned from Tao Yuanming had became the peak of Tao Yuanming’s acceptance in ancient Korean poetry.It has an important role in the acceptance of Tao Yuanming.They were influenced by Tao Yuanming and his poetry in different aspects in terms of style,theme,image,form,character,poetry,etc.,and laid a model for studying Tao—a combination of “moral evaluation” and “literary value”.Poet in the period of Chosun Dynasty learns to follow that model and try to develop.The most prominent poetry in this period is the emergence of "He Tao Shi",and re-understanding of Tao Yuanming’s poetry in the poet.The second chapter discusses the seclusion poet Li Ji’s acceptance of Tao Yuanming in the late Goryeo dynasty.First of all,from the aspect of life and ideology,Li Ji and Tao Yuanming’s life experiences are similar,causing him to resonate with Tao Yuanming’s poems.Secondly,we examine Li Ji’s acceptance of Tao’s poetry in terms of language,style,and mood.Li Ji created 4 “Yong Tao Shi”,of which the most affected were works such as Gui Qu Lai Xi Ci,Yin Jiu(Part 5),Du Shan Hai Jing(Part 1),and Yu Zi Yan Deng Shu and other works.In his poetry,a poetic style of leisure and dreary was formed,and the artistic conception was elegant.The taste of his poetry was similar to Tao Yuanming’s poetry.In the theme of the poetry about seclusion,poverty,and chrysanthemum,Li Ji has created an image of a hermit in poverty.He lives in an abandoned monastery and uses poetry as a sustenance for the rest of his life.At the end of this chapter,concluded that Tao Yuanming’s factors in the“Fu Gui Shi” in the period from late Goryeo dynasty to earlier Chosun Dynasty’s poetry,the biggest difference between Jin Jiurong,Zhao Jun,Zheng Mengzhou’s poetry and Tao’s poetry is that the description of seclusion lives is often idealized.Mostly because they did not make a living by farming as Tao Yuanming did,and therefore their poetry showing a leisurely appearance.The third chapter examines the acceptance of Tao Yuanming in the poems of Li Se,an advocate of new Confucianism the late Goryeo dynasty.There are more than two hundred of his poems related to Tao Yuanming.Through the analysis of Li Se’s seclusion,we can see that Li Se’s admiration of Tao Yuanming is not because of her seclusion,but rather on Tao Yuanming’s character and poetry,such as the loyalty of his political attitude and the philosophizing of life in the poverty of Confucianism,the original pursuit of true.The acceptance of Tao Yuanming’s poetry in poetics is mainly reflected in the pursuit of "enlightenment" in poetry creation and the admiration of fresh and natural poetry style.In the summary at the end of the chapter,I compared the expression of leisure and dreary poetic style in the poems of Li Se,Zheng Daochuan,Min Siping,Li Ji and Bian Jiliang.The fourth chapter examines Tao Yuanming’s influence on Quan Jin’s poetry.Quan Jin is an official in Goryeo dynasty and Chosun Dynasty.He is quite different from Li Ji and Li Se in political ideology.In accepting Tao Yuanming,he attached great importance to accepting the form of Tao’s poetry and created the first group of “He Tao Shi” in the history of ancient Korean poetry.Quan Jin learns the linguistic features as the essays in Tao’s poetry,and is more concrete and sensible in the construction of poetry imagery.At the end of the chapter,listed other forms of learning Tao in the period from late Goryeo dynasty to earlier Chosun Dynasty’ poetry,such as Zheng Daochuan’s “Xiao Tao Shi” and Yuan Tianxi’s “Jie Tao Shi”.Based on the above research findings,the conclusions summarize the characteristics of Tao Yuanming’s acceptance in the period from late Goryeo dynasty to earlier Chosun Dynasty.First of all,the model of learning Tao has formed a model,that is,the combination of “moral evaluation” and “literary value”,it laid the direction for the development in learning Tao in the mid-late period of Chosun Dynasty.In the "moral evaluation",Tao Yuanming’s seclusion spirit and the noble character of "Not working in two dynasties " were respected by most poets.In terms of "literary value",the emphasis is on viewing and learning Tao Yuanming from aspects such as "style","subject" and "language".Secondly,comparing the acceptance of Tao Yuanming in China’s poet,especially Du Fu,Su Shi and Zhu Xi’s acceptance of Tao Yuanming,the poets in the period from late Goryeo dynasty to earlier Chosun Dynasty presented similarities and lags to Tao Yuanming’s understanding.They also studied the Tang Dynasty and Song Dynasty poet,but in the perspective of poetics,it is more about absorbing Song poet’s criticism of Tao Yuanming.Once again,a natural view of "observing things through objects" has been formed.Due to the dual influence of Tao’s poetry and the theory of new Confucianism,the poet in the period from late Goryeo dynasty to earlier Chosun Dynasty formed the natural aesthetic concept of “I integrate with nature”.Fishing villages,temples and other social and natural features with ancient Korean characteristics have become the object of idyllic poetry,and they have created a state of art that is leisurely and clear.