| Lisa See is one of the most famous Chinese American writers in contemporary American literature.She came to prominence in American literature in 2005 with the novel Snow Flower and the Secret Fan.Throughout her works,it can be found that most of her works focus on the writing of "Chinese stories".The choice of content and theme is based on the author’s own deep understanding and exploration of China,focusing on the writing of Chinese culture,historical events,women’s lives and so on.The series of novels based on "Chinese stories" in her works are no longer the product of the cultural opposition between the East and the West.With the deepening of her creation,the author implied her own emotional bias behind the writing.This article to see throughout the "China story" as the research object,writing in the novel Snow Flower and the Secret Fan,Shanghai girl,The Peony in Love,as an example,the writers "China story" writing reason,content,subject,narrative strategy as the main body,analysis and study see’s novel tells "China story" unique.This thesis is mainly divided into the following parts:The introduction mainly explains the reason and significance of this paper,and summarizes the research status,research methods and definition of relevant concepts of Lisa See’s works at home and abroad.The first part explores the reasons that drive and influence Lisa See’s persistence in writing "China stories",including her upbringing environment,family background and personalized life experience.The second part analyzes the multidimensional presentation of the writing of "Chinese stories".Firstly,from the perspective of cultural writing,it discusses the appropriation of Chinese folk culture and classical literature by the novel text.Although the novel has one-sided and rigid cultural interpretation,it shows the writer’s overall cognition of Chinese culture to a certain extent and is representative to a certain extent.Secondly,from the perspective of historical writing,the author’s position in writing and the implied sympathy for the "little people" and the identity problem under the historical theme are interpreted,which reflects the identity trouble that Chinese writers can’t get rid of.Finally,starting from the theme of female growth,the author explains that family ethics and gender relations are the important influencing factors of the "besieged" female growth,and the author also gives the methods to "break through the encirclement".The third part,from the perspective of narratology,discusses the manifestation of female consciousness in the narrative perspective and voice of the novel text,as well as the embodiment of the writer’s feelings of hometown in the narrative space and narrative time.The fourth part,on the one hand,summarizes the writing value of Lisa See’s "China Story",and holds that Chinese writers represented by Lisa See are gradually forming the writing tendency of "de-ethnicity".Faced with the problem of cultural identity,Lisa See chooses a "neutral" attitude and finds her own identity in the gap between eastern and western cultures.On the other hand,the author herself,social background and other subjective and objective factors show that Lisa See’s creation of "China Story" has not attracted attention in China. |
