A Study On The Music Culture Of "Ashuse" In The Wedding Custom Ritual Of Zhenkang

"Ashuse" is the living inheritance and emotional expression of history,current affairs,national culture,life stories,etc.,by the people of all ethnic groups in Zhenkang in the living space.In Zhenkang,since ancient times,there has been a saying that you can’t be happy without singing "Ashuse",and you can’t get married without singing "Ashuse".The number of music culture has special significance to the local people It is an important external in local marriage customs instrument process performance,convey the ceremony of marriage customs in the form of da inner intentions The author through to the town,and around the number of the music,hold kang meng town and yong DE pond is lam tsuen,as a specific field point,combined with the paperwork,and apply the participatory observation interview method Ethnographic research methods such as field research method,the ceremony of marriage customs in the context of the number o harp music culture,intensive research.This paper consists of three parts: the introduction and the conclusion.The main text discusses the "Ashuse" in the context of marriage rituals from the aspects of living space,case records,analysis of musical forms,research on the characteristics of tune-up,and interpretation of musical culture.The music culture is systematically discussed.The first chapter is an overview and interpretation of the maternal environment and origins of "Ashuse" music culture.The analysis of the maternal environment is divided into natural and humanistic aspects;the second chapter is "in the context of wedding rituals in different locations" The ethnographic record of "Ashuse".This chapter records the whole process of "Ashuse" ceremonies in two weddings in Mengpeng Town of Zhenkang and Tangshanglin Village of Yongde Town.A detailed analysis of musical forms;Chapter 3 takes the run-tune used by "Ashuse" as the research object,starting with the four aspects of dialect pronunciation,singing accent,instrument technique and body expression,and analyzes the characteristics of the run-up.The fourth chapter is the interpretation of "Ashuse" in the context of wedding rituals from a cultural perspective,and the multi-level construction of "Ashuse" cultural identity according to the three cultural layers of "primary-secondary-rebirth".Based on the role played by individuals,the masses and the society,the cultural function of "Ashuse" music is analyzed,and through a series of studies on the content of "Ashuse",I feel the cultural metaphor of "Ashuse".