Investigation And Research On Yangge Opera In Zezhou From The Regional Perspective

Yangko opera,as an art form in Zezhou area,began to be active in this land during the Daoguang period of the Qing Dynasty,and its spread spread to almost every village.There are four kinds of Zezhou Yangko dance,Pingqiang Yangko dance,Qinshui Yangko dance and Zhongzhuang Yangko dance in Zezhou area,among which Zezhou Yangko dance is the largest among all the Yangko operas,occupying a special position,and there are several kinds of differentiation and branches in the distribution area,including Dashu Yangko dance,Peiwa Yangko dance,Zhaixi Yangko dance and so on.In addition,among the Yangko plays in Zezhou area,the musical form of Zhongzhuang Yangko is Qupai style,while Zezhou Yangko,Qinshui Yangko and Pingqiang Yangko are all dry dance and dry dance.They exist together in Zezhou area,but Zhongzhuang Yangko has its own school.The reasons for each need to be considered.In addition,the history of the development and prosperity of Yangko dance in this region,whether there is a specific cultural environment behind the support,the characteristics of each Yangko dance,what are the connections between,also need to be explored.Finally,the survival situation of each Yangko opera is worrying.The author hopes to analyze the causes of this phenomenon through field investigation and put forward some suggestions to better promote the development of Yangko opera.This paper is divided into four chapters:The first chapter explains the theory of "Zezhou Regional Perspe Yangko opera,as an art form in Zezhou area,began to be active in this land during the Daoguang period of the Qing Dynasty,and its spread spread to almost every village.There are four kinds of Zezhou Yangko,including Zezhou Yangko,Pingqiang Yangko,Qinshui Yangko and Zhongzhuang Yangko.Among them,Zezhou Yangko is relatively special and has various branches in its distribution area,including Dashu Yangko,Peiwa Yangko and Zhaixi Yangko.Among these yangko plays,zhongzhuang yangko danctive",which lays a theoretical foundation for the study of Yangko opera in Zezhou by analyzing the representative theories of "region and music" in the music circle.First of all,from the geographical and cultural environment of Zezhou area,explore the formation of the whole Zezhou area Yangko.Secondly,according to the unique naming method of the Yangko dance in Zezhou area and the thinking of the distribution range,the yangko dance in the whole region is divided into the Zezhou Yangko dance which is popular throughout Zezhou and the Yangko dance in each county of Zezhou.The second chapter,"yangko drama ontology interpretation under the division",first of all to jersey,yangko,horizontal analysis,explore jersey,yangko and fact,trying to discuss the relationship between the branches and jersey,yangko,and through the field investigation to determine the jersey,the existing status of yangge,attempt to redefine jersey,yangko,and of the drift region is at it again.Secondly,each belongs to Yangko to make a brief overview,for the third chapter of the Yangko drama of the comparison of the body for the groundwork.The third chapter,"The Ontology Comparison of Yangko Drama under Regional Division",compares all the Yangko Drama in Zezhou area with Zezhou Yangko as the main line,discusses the similarities and differences,and analyzes the uniqueness of each Yangko Drama itself.The fourth chapter,"Suggestions for the Development of Yangko Drama in Zezhou Region",through the analysis of the existing situation,the author discusses the existing problems of Yangko Drama in Zezhou Region from the internal and external reasons,and puts forward suggestions for improvement.Internal reasons include low income and insufficient professional level of artists,while external reasons mainly include loss of audience,reduction of performance opportunities and reduction of social attention.Based on the analysis of the above reasons,the author mainly puts forward the following suggestions: first,give full play to the role of inheritors,improve the quality of inheritance,focus on repertory innovation and the teaching of actors;Second,expand communication channels,including relying on tourism resources,by means of short videos,live broadcast and the integration of films,TV series and other themes,to further expand popularity.