The Comparative Study And Singing Processing Of Opera Aria "Love Song" In Three Acts

The aria “Love Song” is a classic excerpt from modern original opera Cang Yuan of China.With a unique creative technique that combines Chinese and Western characteristics,traditional artistic style and strong plot conflicts,the aria has been widely sung up till now.The aria “Love Song” throughout the opera has been presented for three times successively,which vividly portrays the heroine Naren Gaowa from different angles and exquisitely demonstrates the psychological changes of the heroine under the background of three acts.This paper takes “Love Song” as the research object and explores the relationship between music creation and singing treatment through a combination of the comparative study of the three acts presented in the opera and the author’s own singing.Chapter 3 and 4are key chapters.Chapter 3 conducts a comparative study mainly from four aspects including dramatic conflicts,singing background,singing emotion and singing style;Chapter 4 conducts singing artistic treatment from four aspects including the role shaping,music style,pronunciation,breath and intensity.This paper strives to explore the artistic and research value of “Love Song” from various fierce dramatic conflicts so that the author can deepen the understanding of the aria and integrate it into practical singing.This paper also seeks to provide certain theoretical basis for the related music researchers and singers,and also contribute a little to inherit and carry forward the artistic spirit of China’s opera.