"The Latter Seven Masters" And The Classic Set Of "Wangchuan Ji"

As the only collection of Wang Wei’s poems,“Wangchuan Ji” and“Wangchuan Tu” together constitute a diversified aesthetic space and have a profound impact on the literary world of later generations.Since the middle Tang dynasty,some scholars began to follow the example of “Wangchuan Ji”.First of all,the process of classicalization of “Wangchuan Ji” before and in the early Ming dynasty was mainly reflected in the creation of poetry,accompanied by a small amount of poetic words,inscriptions,notes and other documents.Secondly,in the middle of Ming dynasty,after the “The Latter Seven Masters”,the “Wangchuan Ji” becaome more and more popular,they are not only specific learn from in the poetry of the “Wangchuan Ji” and set the content,technique,style,and they also edited and Tang poetry selected through original express opinions on the “Wangchuan Ji” set,for the “The Latter Seven Masters” in anthology of kan,notice and the range of the selected poems,number show on the “Wangchuan Ji” set in the poems of high esteem and special attention.These anthology played an important role in the dissemination and acceptance of the collection of poems in the Ming dynasty.Third,“The Latter Seven Masters” poetry will be prosperous tang trend of thought not only promote their own study of the book,but also guide the Ming dynasty scholars to trigger in painting,architecture,inscriptions and other aspects of the “Wangchuan” complex,which improved Wang Wei’s position in the poetry circle.This paper sorts out the relationship between “The Latter Seven Masters” and the classicalization of “Wangchuan Ji”,and tries to outline the basic features of the classicalization of “Wangchuan Ji” poetry in the middle of Ming dynasty,so as to provide a clear case for the acceptance and dissemination of Wang Wei’s poetry.