From Yutriro To The Landscape Paintings Of Rural Areas In Northern Jiangsu

Maurice Yutriro(1883-1955)is the most legendary landscape painter of life and art in the Paris School.He used his life’s infatuation and childishness and innocent brushstrokes to interweave Montmartre’s streets,churches and other scenes into milk-like white and velvet-like black,faintly lonely,mysterious and sad..The author deeply touched the emotions in his paintings,and combined with his own comprehension,he found that his paintings not only have traditional classical techniques,but also unique new art concepts,but also contain rich local flavors.This article takes the analysis of the painting technique of Yutriro’s "White Period" as the starting point.Based on the author’s own life sentiment,through the aesthetic interpretation of aesthetics and the emotional exploration of literary psychology,he unearths the new aesthetic emotion in his paintings.“Cangwu”,and tentatively blending this emotional space into the “clan” status of the rural landscape in northern Jiangsu,and creating a series of landscape oil paintings of “Villageland Cangwu”.Through the in-depth analysis of the emotions of the "Cangwu",it combines the "clan" of the rural areas in northern Jiangsu,and sublimates the emotional innovation of "Cangwu" into the image of "Cangyuan",which is expected to express in the creation.The transcendental spirit of Cangyuan adds weight to the philosophy of life.Therefore,in addition to the study of the technique of Yutriro’s "White Period",this article is more about the exploration and analysis of emotions in his works.Through the expressions of the emotions of "Cangwu" and "Cangyuan" in the creation of this series of landscape oil paintings in the rural areas of northern Jiangsu,it is expected that they can form their own painting language and have a certain guiding role for later learning and creation.