The Application Of Chinese Landscape Schema Language Of The Northern School In The Landscape Painting Of Mount Tai

Since ancient times,art has carried people’s spirit and placed people’s thoughts and feelings.Today’s society is in continuous progress and development,The Times need strong artworks to arouse spiritual resonance.Chinese landscape painting can be divided into the north and the south with different style characteristics.The vigorous momentum displayed by the northern landscape painting is exactly what contemporary art needs.Landscape painting needs to fully express the new life style and thoughts and feelings of people in the new era on the basis of tradition.In this paper,the use of landscape schema language of the northern school to create Mount Tai theme landscape painting as the research vein,firstly through the analysis of the representative figures of the northern landscape painting school,explore the characteristics of the traditional northern landscape schema language,and then explore the modern and contemporary painters’ extension of the northern landscape schema language.Secondly,by summarizing the geomorphic features and regional humanities of Mount Tai,this paper explores the compatibility between the Northern school of landscape schema language and Mount Tai theme landscape painting,and analyzes the presentation of the Northern school of landscape schema language in modern and contemporary Mount Tai theme landscape painting.Finally,combined with the author’s sketching and creative experience,select appropriate materials,use the northern school landscape schema language,integrate and absorb a wide range of artistic elements,in the works to show the majestic and muddlehead face of Mount Tai,through the theme of landscape painting creation,strengthen people’s lasting and deep love for the magnificent rivers and mountains of the motherland,enhance the sense of national pride and national identity.