Nezha is beloved by many as a child god,and audiences have seen him in movies,TV series and animated works.A Chinese cartoon,Ne Zha,released in the summer of 2019,once again brought the character of Ne Zha to the public’s attention and aroused heated discussion.The charm of the myth characters has many dimensions to attract audience of different era,in the 1960 s and 70 s made by Shanghai animation film studio color animation "make heaven" nezha conquers sea "presented is not in the same state which zha image respectively,the two animation based on the original classic plot,for which zha narrative and the role which zha again,The combination of visual art and story content is very perfect,but also received good feedback from the audience.In the narrative way of parallel montage,New God Chart: Rebirth of Nezha combines cyberpunk and Oriental magic to express the spiritual essence of Nezha’s resistance to the outside world,which is worth discussing on the level of innovation.Therefore,it is quite necessary to review and analyze the classic animated films about Nezha.They have provided a stable and successful paradigm for the later animations of Nezha from the perspective of character shaping and narrative clues of Nezha.The first chapter explores the role image and narrative clues of Nezha in Buddhist and Taoist classics and literary texts,and teases out the evolution of Nezha’s image.To clarify the status of Nezha’s appearance in Buddhist scriptures,the difference between the charm and Taoism in which he was called as a protect-god,and the narrative change of Nezha’s transformation from bone to flesh.His status,appearance and character,and intergenerational relationship are all the focus of the research,so as to restore a three-dimensional and full image of Na Zha that fits the prototype.To comprehensively clarify the attributes and characteristics of Nezha from various literature records is also beneficial to deepen and enrich the imagination space of the reviewers and promote the ideological and authenticity of animated films and television works with the same theme to make great progress.The second chapter uses the narrative theory to analyze the animated films and television works of Nezha in the 1960 s,1970s and the new century,sort out the narrative methods and narrative features of Nezha’s animations,explore the reconstruction of Nezha’s classic image,and reveal the factors of The Times behind the changes of this image.The third chapter returns to the theme and reveals the cultural inheritance between Nezha’s classic literature and Nezha’s classic animations.In terms of Malinowski’s social charter theory,it is to regulate the original moral constraint function of traditional myths and realize the positive effect of myths on the mind and the existing order on this basis. |