Study On Visual Elements Of Decoration Of Lotus And Crane Rectangular Hu

The series of bronze offerings unearthed from the tomb of Zheng Gong have attracted the attention of researchers at home and abroad since the excavation in 1923 due to the extraordinary influence of the quantity,type and molding technology.In order to study the development of humanities and arts and the general situation of aesthetic belief in the turbulent society in the late spring and autumn period in China,this paper provides an important theoretical basis for the modeling and decorative patterns of various kinds of utensils,and at the same time provides an effective physical guarantee for the analysis of the extraction and application of traditional modeling and decorative patterns in modern graphic design.Henan province,as one of the important origins of archaeological history,attaches great importance to the discovery,protection and collection of cultural relics.Henan museum is the first authoritative collection institution of cultural relics in Henan province.On the occasion of its 80th anniversary,several of its treasures were selected,including the research subject of this paper--Lotus and crane rectangular hu.This paper takes its modeling and ornamentation as the breakthrough point,focuses on the analysis of its decorative implication,and on this basis,introduces the modeling names of "guilian" and "lihe",etc.to connect the decorative implication of the whole utensil from top to bottom.In this process,some casting techniques and traditional patterns are also introduced.Using the traditional aesthetic law and the modern formal beauty law,to affirm its aesthetic value.Then use the professional to carry on the visual promotion redesign.It is mainly presented in the way of visual recognition system of Lotus and crane rectangular hu modeling and ornamentation.Before this,the author simplified the main decorative objects,laid the foundation step by step for the final simple design scheme,and combined theory with practice to achieve the ultimate goal of carrying forward the traditional culture in this paper.This article USES the methods of literature classification,field investigation,case analysis and creation induction,and takes the modeling and ornamentation as the entry point to systematically study and study the Lotus and crane rectangular hu.It mainly lists four chapters.In the first chapter,it makes a brief introduction to the artifacts,describes the collection story and relevant casting process since the excavation,and makes a general conjecture and analysis on the owner of the artifacts.In the second chapter,the allegorical meaning and expression form of the materials are discussed.In the third chapter,several groups of main elements are selected for a detailed analysis to pave the way for the innovative design in the next chapter.In the fourth chapter,the main decorative elements of the Lotus and crane rectangular hu are innovatively designed in combination with my major.Starting from these four chapters,the decorative aesthetics of the Lotus and crane rectangular hu,summarizing its unique visual influence,reflecting the social and historical development of the Lotus and crane rectangular hu in the era and the characteristics of the artistic trend,and trying to explore the inspiration of the artistic concept of the Lotus and crane rectangular hu to modern visual design.