Research On The Music And Dance Symbol For The Feitian In The Kaiyuan Temple Of Quanzhou

Quanzhou is formerly known as the "Buddhist Kingdom" and is the starting point of the ancient Chinese Maritime Silk Road.Various temples dominated by Buddhism were erected here,and the cultures were intertwined and diversified.Quanzhou Kaiyuan Temple is the most typical representative,among which Daxiong Hall The image of the twenty-four Feitian Musicians in the Ganlu Oratory Altar is the artistic crystallization of the fusion of Chinese culture and foreign culture.From "Kinnaruo","Jaling Pinga" to "Flying Wonderful Music",the wood carvings of Feitian Musicians holding traditional Quanzhou local musical instruments symbolize the prosperity of Buddhist culture with their unique shapes and styles.The concept of Feitian is deeply rooted.Rooted in this land of Quanzhou.This article takes the Feitian image in Kaiyuan Temple in Quanzhou as the research object,analyzes the source of its "Feitian" concept,image characteristics and cultural connotation behind it from the ontology,and then analyzes it from the perspectives of modeling,clothing,color,and form,combining with Southern Fujian.Folk culture and folk art,the choreography of dance works with the theme of "Flying",while referring to the related theories of image music and dance and Chinese classical dance choreography,to conceive in existence,to innovate in practice,and to transform from static cultural images to In the process of dynamic works of art,to "resurrect" the flying culture of southern Fujian.Through this practice choreography works and the research of classic Chinese classical dance works,the choreography techniques of classical dance works are condensed,the concept of "resurrection" dance choreography is proposed,and the general application in the promotion and innovation of excellent traditional culture is proposed.,Provide new ideas for the preservation and development of excellent traditional culture.Excellent traditional culture is the inner soul of the Chinese nation.The protection and development of excellent traditional culture is the central principle of cultural work,and the development of culture is closely related to the times.Therefore,we must stand on tradition to innovate and combine excellent traditional art with Combining the culture of the times,innovating art forms,enriching cultural connotations,combining the culture of the times,innovating art forms,and allowing excellent traditional culture and art to "live" in the present and into the future with a brand-new attitude.