| Northern Shaanxi is the central part of China’s Loess Plateau,with unique natural landscape and cultural landscape,ravines,unique caves and simple working people,the landscape painting of northern Shaanxi has attracted the attention of artists,but also highlighted the collective,social,historical and cultural attributes.Loess culture since the "Chang’an painting" landscape painting of the loess plateau,is a piece of more to study and development of art treasure,coupled with the Yellow River culture,the Chinese revolution to northern shaanxi victory,sing endless day,cave for the oldest way of living,is also a regional characteristic symbol,more important is China five thousand years The origin of civilization.Due to its unique geomorphic characteristics,the landscape painting of northern Shaanxi theme makes the picture with simple,sincere and atmospheric artistic characteristics,but also show the sense of historical massiness of loess culture.This yellow land has become the spiritual habitat of generation after generation.There are cultural products such as northern Shaanxi Qinqiang Opera,Ansai waist drum,Xintianyou and paper-cutting,which all reflect the profound cultural connotation of this land.From the perspective of The background of The Times,on the one hand,"Chang’an School of Painting" draws on the nutrients and essence of traditional culture.Based on the northwest region,with its distinctive regional characteristics and folk culture as the carrier,it develops itself and expresses its ideas on artistic creation in the continuous practice of painting creation.On the other hand,under the influence of the view of "pen and ink should follow The Times","loess School of Painting" will constantly explore and explore the national characteristics,regional characteristics and the characteristics of The Times of art.One of the two schools is mainly landscape painting performance and the other is mainly character painting.No matter which theme of painting,it is an in-depth exploration of the theme of northern Shaanxi,which has a certain accumulation need.The creation of landscape painting in northern Shaanxi,on the one hand,requires artists to gather their feelings and thoughts through deep life practice and grass-roots roots into creative inspiration,ink as the medium,and ink language to convey the spirit of freehand brushwork.On the other hand,respect tradition,integrating regional,ethnic,contemporary and personalized characteristics of artists into the picture,making the landscape painting of northern Shaanxi fruitful,and also provides experience and ideas for future generations painting.The exploration of the creation of landscape paintings in northern Shaanxi has opened up a new road for my learning direction,and explored the spiritual concept of "unity of man and man" in the pen and ink. |