| Among the contemporary military writers,Xu Huaizhong is undoubtedly an unavoidable existence,and his works can be unique in military literature.When other military writers also in figurative war situation pattern,praise war victory,focus on the hero,xu is avoid directly depicting war scenes,beyond simple revolutionary hero,will explore focus on the depth of human nature and history,and formed the poetic narrative art style,especially reflected in the “ Holding The Wind ”.Whether it is ideological implication or narrative art,“ Holding The Wind ” all marked a new start to Chinese contemporary war novels.From the perspective of poetic narrative,this paper specifically analyzes the mixed richness and the virtual narrative technique,and explores the interactive correlation between its theme implication and narrative strategy to reveal the source of its artistic charm.The first part,multiple dimensions: the poetic characteristics of image shaping.The poetic narrative artistic characteristics of “ Holding The Wind” is not the addition of new artistic image types,but the multi-dimensional expansion of its connotation on the basis of continuing the original type.Although the novel continues the four types of military commander,guard,female cultural officer and war horse,each image transcends the original single-level social and political existence,and becomes a life art image that integrates social politics,history and culture and true life.Among them,the social and political orientation gives these images a common spiritual outlook,which is a historical continuation of the previous revolutionary war literature.The expansion and innovation of historical culture and true life not only reflect the author’ s deep thinking on history and human nature,but also contains his unique understanding and pursuit of poetic narrative art.The second part,multiple meanings: the poetic characteristics of death writing.The poetic narrative art characteristics of “ Holding The Wind ” are expressed in the writing of death,which is to abandon the naturalistic detailed description and pay attention to digging out the deep connotation of history,culture and human nature behind death.Therefore,the image of death in the novel,whether social politicized or strange and mysterious death,is not only an opportunity for the end of life and the transformation of the character,but an independent multiple aesthetic subject,containing rich poetic temperament and philosophical meaning.Among them,sociopoliticized death can be said to completely expose the mask of heroes deliberately foil by death,strange and mysterious death gives death an aesthetic view from the high level,by describing the abnormal death of women in the war situation,the multiple cultural implications behind it are highlighted.The third part,spacetime,structure and imagery: the poetic characteristics of the narrative way.The reason why “ Holding the Wind ” can carry the extremely abundant spiritual connotation with very little written space is inseparable from its poetic narrattive way.Firstly,the novel takes the concept of overall time as the inner pillar,and expands the narrative space of the text by depicting the time-meaningful images.Secondly,the appropriate use of blank artistic processing in the narrctive story not only makes the narrative structure of the text very concise,but also fully enriches the internal ideological meaning of the text.Finally,the narrative intention and text latent are hidden by repeated symbolic image,which provides an appropriate basis for readers to fill the narrative gap of the text with the help of their own imagination.The detailed analysis of the poetic narrative art characteristics of “ Holding the Wind ” not only helps to sort out the evolution of Xu Huaizhong’s literary creation,objectively positioning its status in literary history,but also helps to explore the way of war speech of contemporary military novels at the same time,to ask Chinese traditional poetry aesthetic value and its continuation and new change in contemporary literature,so as to expand the academic vision of Chinese contemporary war literature. |
