The Theory Of The Contemporary Chinese Military Film Red Love

Love is an eternal theme in literature and film studies, The love narrative of Chinesecontemporary military film in different periods of history highlights the different narrativecharacteristics, Thus formed the unique characteristics of the Chinese red relationship model.The author mainly from the perspective of diachronic study of contemporary Chinese militarylove narrative of the changing track in the movie, At the last article briefly from themainstream Hollywood military love narrative in the film are compared.From the diachronic point of view, from love to revolution to belong to personal feelingswith the business of conspiracy, of the contemporary Chinese military film love beginsgradually with the development of times, return to life, return to personal, love also becomethe object of the film narration.At the beginning of the founding of the seventeen years period, In the political ideologyunder the height of the discipline, Love description in the military can’t occupies an importantstatus in the movie. This period of love narrative present will always characterized therevolution as the first narrative theme, Romance can only as a second theme assisted in thedevelopment of the revolution, Services for the revolution. Therefore seventeen years periodof the soldier’s love belongs to the category of the revolution.With the further development of ideological liberation movement in the eighty s, themilitary film creators soldiers begin to pay close attention to the emotional life, there aremany movies of human, human nature, this period of love of soldiers began to graduallyreturn to daily life, personal feelings of being seriously and be written, makes the soldiers inthe eighty s is love belongs to the individual category.After the1990’s, China’s social political environment, economic environment andcultural environment are great changes have taken place. Military the creators of the filmbegan in narrative, production and marketing, and many other aspects, Absorb and draw onthe experience of operation mode of commercial films, Adjusted for a long time to revolutionand auxiliary, love narrative strategy, To push the revolution to foreground, the narrative focuson love. So after ninety s, the love narrative of the military film presents with commercial,entertainment, the characteristics of the conspiracy. But from the synchronic point of view, With the love narrative of the mainstreamHollywood war film, Chinese contemporary military films through love to elaborate therelations of "war" with people, Most still stays in the level of "romance", the lack of deephumanity connotation of mining.