Research On The Image Of Dongfeng In Song Ci

Dongfeng is a common natural phenomenon.Because of its genial and melodious characteristics,it has been widely concerned and loved by scholars,and then went to the world of poetry and became an important literary image.Since the Dongfeng image first appeared in "songs of Chu",after repeated chanting by scholars of all dynasties,it finally radiated vigorous vitality and gradually became mature and perfect in the Song Dynasty.At the same time,it also showed the unique cultural charm of the Song Dynasty everywhere.Therefore,this thesis takes Dongfeng image in Song Ci as the research object,and comprehensively discusses its emotional connotation and artistic characteristics,in order to reveal the literary and cultural value of the east wind image in Song Ci.In addition to the introduction and conclusion,this thesis is divided into the following five chapters:The first chapter is an overview of Dongfeng image.This chapter is divided into four sections,which discusses the development of image research in the two categories of philosophy and literature,the literary origin and vertical evolution of wind image,the unique connotation of Dongfeng image and the development of Dongfeng image before Song Dynasty.Starting with the combing of image and wind image,this thesis reveals the unique connotation of Dongfeng image and the use of previous dynasties.The second chapter is the general situation of the creation of Dongfeng image in Song Ci.This chapter is divided into three sections,which makes quantitative statistics on the Dongfeng image in Song Ci,and discusses its presentation characteristics in different historical periods and the reasons for its prosperity in Song Ci.This chapter classifies and explores the themes of more than 1300 Song Ci related to the image of Dongfeng,which can be roughly divided into lovesickness theme,spring injury theme,wandering theme,subjugation theme,recluse theme and the theme of cherishing time.At the same time,it discusses the different characteristics of Dongfeng image in the Northern Song Dynasty,Nandu period and Southern Song Dynasty,and then summarizes the coincidence of Dongfeng image in the aesthetic level of Song Ci and the cultural psychology of Song people,so as to have a macro grasp of it.The third chapter is the presentation mode of Dongfeng image in Song Ci.This chapter is divided into three sections,mainly discussing three modes: time mode,space mode and scene mode.This chapter analyzes the two typical time modes of dusk and nightfall,the two spatial modes of semi closed courtyard and open building,as well as the celebration scenes of Lantern Festival and banquet,the tryst scenes of prostitute and date,and discusses the diversified presentation effects of Dongfeng image under the combination of different modes.The fourth chapter is the emotional connotation of Dongfeng image in Song Ci.This chapter is divided into five sections,which studies several main emotional connotations,such as spring injury,cherishing time,homesickness,returning to seclusion,acacia and worrying about the country.By grasping the emotional connotation of Dongfeng image,we can more accurately understand the poet’s thoughts and emotions and taste his unique aesthetic reflection on Dongfeng image.The fifth chapter is the artistic characteristics of Dongfeng image in Song Ci.This chapter is divided into three sections to explore the characteristics of Dongfeng image in terms of expression techniques,sensory experience and aesthetic characteristics.The writers use the techniques of foil,personification,allusion and symbol and various sensory perceptions such as vision,hearing,smell and touch to shape the Dongfeng image,which makes the Dongfeng image show a variety of aesthetic characteristics.