Analysis Of Wang Danhong's Music Creation Techniques In The National Symphonic Mythological Poem "Great Love Changbai"

Among the young composers in China,Wang Dan is an outstanding representative.For a long time,she has poured her heart and soul into the creation of national instrumental music,skillfully blending the traditional instrumental music with the contemporary music aesthetic.To appreciate her music works,one can not only appreciate the unique charm of national music,but also feel the flavor of the Times.Wang Danhong has established relationships with many influential orchestras both at home and abroad.His works have been performed in many places,and he has injected Circle of Life into the development of national instrumental music with his unique creative thinking and new creative perspective.Years of unremitting efforts,so that Wang Danhong has won a number of music awards at home and abroad,each of her works can attract people's attention,its creative themes,melodies and so on are memorable,the enjoyment of the United States.The large-scale national symphony and apotheosis poetry play of "love the white" is a large-scale stage original funding project of the national art foundation in 2018.It was created in 2018 and is a very young work.At present,no one has studied its creation techniques,and there are extremely limited domestic and foreign literature on it.After the performance of this work,there is a review article on its performance on the Internet.This article,named "Changbai has myth,great love has truth",commented on the performance and singing level of the live actors from the text content of the work to the composer's creation,but did not mention the relevant content of music creation techniques.This article mainly takes "da Ai Changbai" as the research object,carrieson the thorough analysis to the mythological poem play "da Ai Changbai" creation technique,altogether four chapters partial compositions.The first chapter describes the background and process of the creation of "great love Changbai".The second chapter is the general situation of the mythological poem drama "Da Ai Chang Bai".The third chapter analyzes the musical elements of "Da Ai Chang Bai" from four aspects: the musical form structure,harmony and polyphony,the fusion of Chinese and western musical colors in the orchestration,and the fusion of various musical elements.The Fourth Chapter analyzes the artistic features and aesthetic features of the great love for Changbai,and gives us some inspiration in creation.The conclusion part reviews and sums up the whole research course,combs and induces the music background,creation and so on.