"Liao Zhai" Children's Book Research

Zidishu is a very prevalent folk rap art in the Qing Dynasty.It has a wide range of materials,among which the "Liaozhai" story as the theme of Zidishu is one of its huge system,with high aesthetic value.In the field of Zidishu,"Liaozhai"Zidishu plays an important role;in the field of adaptation of "Liaozhaizhiyi",the "Liaozhai" Zidishu also plays a key role.It can be seen that the"Liaozhai"Zidishu is a treasure with great potential.However,the current academic research is still relatively weak,we need to explore,to discover.The author refers to "The complete works of Zidishu","Liaozhaizhiyi rap collection","Zidishu collected by chewangfu of Qing Dynasty","Music book collected by chewangfu of Qing Dynasty","series of popular literature","Manchu rap Literature:a hundred kinds of precious books of Zidishu",”series of selected by Zidishu","selected by Guci","colIected by Guci" etc.After careful comparison and checking,there are 27 kinds of titles of "Liaozhai" Zidishu and 24 kinds of extant texts.This paper is the study of these 24 kinds of "Liaozhai" Zidishu.This paper consists of three parts:introduction,main body and conclusion.The main body is divided into six chapters.The introductionpart is mainly to determine the concept of Zidishu and"liaozhai"Zidishu.Zidishu is a type of musical genre in the Qing Dynasty."Liaozhai"Zidishu refers to the Zidishu works adapted from the related chapters of the novel"liaozhai zhiyi".In addition,this paper summarizes the research status of "Zidishu" and "liaozhai" Zidishu,and explains the innovative points and research methods of this paper.The first chapter Sorts out the text of "Liaozhai" Zidishu.There are three kinds of Zidishu directory:directory by bookshop,directory by personal,directory by block-printed edition.Theversion of the "Liaozhai"Zidishu mainly has nine kinds of transcripts and two kinds of engravings.There are 24 kinds of existing"liaozhai"Zidishu,the description of the author name has 4 people.Their names areZhuchuang,Xuyuan,yuchun,Lanqihuaxuweijuesou.The second chapter analyzes the adaptation of"liaozhai"Zidishu to "liaozhaizhiyi".From the three aspects to consider:adaptation routine and item comparison.the author believes that "liaozhai"Zidishu are adapted on the basis of the "qingketing" series of strange tales from liaozhai.Its length is not long,the most of the choice is the middle story of "Chat Jai Zhizhi".On this basis,this paper,taking liaozhai zhiyi as a reference,analyzes the interpretation of the spiritual connotation of"liaozhai"Zidishu,and makes clear that the author of liaozhai zhiyi has two interpretations:"reading" and"misreading"."Reading",it is mainlyreaded in publicizing" The opening of Qi State "and strengthening"Morality of Lu state ";"misreading",it is mainly manifested in affirming "the way of imperial examination" and ignoring "political criticism".Then,the author further analyzes the five adaptation ways of "liaozhai"Zidishu:remaining true to the original story,cutting down to the original story,adding to to the original story,changing the leading role to supporting role,and developing a new way.Finally,the feasibility of the adaptation of "liaozhai"Zidishu to "liaozhaizhiyi" is analyzed from the three perspectives of the adaptation object,the adaptator and the reception group.The third chapter explores the aesthetic art of "liaozhai"Zidishu.Through the four dimensions of "frame","narrative","language" and "melody" to explains the aesthetic quality of "liaozhai" Zidishu.From the point of view of the frame,the "liaozhai"Zidishu has a fixed structure,that is,the title,the poem,the text and the conclusion.Of course,there also have many variations.From the perspective of narration,it is mainly manifested in the following aspects:the "superposition" and "generalization" of narrative perspective,the"spring day" and "summer day" of narrative mode,the"ambiguity" and "night transformation" of narrative time.From the perspective of language,it includes the rhetoric skills of "full of pearls and jade" and the language style of "appreciating both refined and vulgar".From the perspective of melody,the"liaozhai"Zidishu" can stand out from the popular literature to a large extent because of its melodious rhythm and cadence.Thefourth chapter compares the similarities and differences between"liaozhai"Zidishu and liaozhaidrama.This paper compares the advantages of two different styles in the adaptation of liaozhai stories from four aspects:the motive of creation,the system of text,the strategy of adaptation,and the nature of adaptation.By comparing the characteristics of "liaozhai"Zidishu and liaozhai drama.in the same story writing,this paper discusses the differences between them in the perfunctoriness of the same story.The fifth chapter compares the similarities and differences between "liaozhai"Zidishu and "liaozhai" folk rap.Starting from the three aspects of system structure,narrative art and field performance,this paper discusses the adaptation of "liaozhai" folk rap art to "liaozhai zhiyi",so as to highlight the uniqueness of the "liaozhai"Zidishu in field of folk rap.Taking the Zidishu and danxian ma jiefu as the case to study,this paper discusses the differences between the Zidishu and the danxian in telling the same story from the three aspects of theme,plot and characters.The sixth chapter explains the influence of "liaozhai"Zidishu The influence of liaozhai's book is very extensive,which is mainly manifested in three aspects:promoting the adaptation and dissemination of liaozhai zhiyi,improving the taste of rap art,and shaping social values.The conclusion part summarizes the literary and artistic value of"liaozhai"Zidishu and the shortcomings of this paper.