The Embodiment Of Gypsy Music Style In Liszt's Hungarian Rhapsody No.9 And Its Performance Research

With the development of piano art history,composers have processed and created national music materials and integrated them into piano music.The Hungarian rhapsody written by liszt for the piano is an outstanding representative.This song is composed on the theme of Hungarian folk music,with strong characteristics of"Hungarian gypsy style".In his work,he adapted various instruments from gypsy bands,giving the Hungarian rhapsody the sound of a grand symphony orchestra.With the title of "the carnival in Perth",the work depicts the lively atmosphere of the carnival in Perth,reflecting the passion and romance of the Hungarian people.The Hungarian rhapsodies of taking the No.9 as the research object,from the first works to explore the "Hungarian gypsy style" in the music,at the same time to conquer in the play "the Hungarian gypsy style" to bring the technical difficulties,so hope that through the discussion of a work to a deeper understanding of the development of the national role of piano music,while increasing the deep understanding in terms of playing and thinking.This paper is intended to study the embodiment and performance of gypsy style in liszt's No.9 Hungarian rhapsody.It is divided into four parts:i.introduction;ii.the influence of Hungarian "gypsy style" on liszt's Hungarian rhapsody;iii.The embodiment of gypsy style in liszt's Hungarian rhapsody no.9;iv.Performance research of liszt's "Hungarian rhapsody" no.9.The first part firstly summarizes the reasons for the topic,the research status at home and abroad,the research methods and significance,sorts out the literature,clarifies the thinking of paper writing,and carries out the paper writing according to the basic research methods of paper writing.The second part makes a statement on the origin and evolution process of"gypsy style" in Hungary.The formation of this style cannot be separated from the gypsy nationality.It makes a statement on the definition and origin of "gypsy style" in Hungary to avoid the ambiguity of "gypsy style" about the music of the mazars.The second part is based on the research on the basis of the third part in view of the Hungarian rhapsody No.9 gypsy style excavation and research,from sound colour imitation,gypsy style,freedom,melody,harmony,rhythm,mode,system vocabulary multi-dimensional analysis,demonstrates the creation of the "Hungarian rhapsodies of Franz liszt and gypsy music style is closely related to the people.In the fourth part,on the basis of a deeper understanding of the connotation of the work,I have mastered the playing skills and controlled the music emotion.Combining with my own playing experience,I have interpreted the solutions of playing.