Study On Language Innovation Of Contemporary Urban Landscape Painting

Contemporary urban landscape painting is developed in traditional landscape painting.With the change of contemporary life and aesthetic perception,it has developed its own painting language,which is different from the painting style of traditional landscape painting.Contemporary urban landscape painting has its own multiple appearances and conformity.The aesthetic value of art in this era gives people a brand-new visual experience,and it has become a new subject and painting theme that has attracted much attention.However,the modern subject of urban landscape painting started late and is still in an immature stage of development.There are not many comprehensive analyses of contemporary urban landscape painting in many literature and painting theories.This thesis mainly focuses on the thinking and exploration in the process of urban landscape painting,looking for painting languages and techniques suitable for urban landscape painting and exploring more possibilities.Although urban landscape is a product of modern society,the influence of traditional brushwork and traditional spirit on urban landscape painting is particularly important.The first chapter of this article mainly sorts out the development context of urban landscape painting,taking urban landscape painters’understanding of urban landscape painting in different periods and their expression in painting works as the research object.The second chapter draws on the tradition to learn about the composition,color,and brushwork of urban landscape painting,and reasonably analyzes and inherits the essence of the predecessors.The third chapter mainly sorts out the continuous development of urbanization and provides us with a wealth of materials and painting elements,which has a strong role in promoting Chinese painting from traditional to modern.It is necessary to step out of tradition and enrich the pen and ink.Development,on the basis of the predecessors,explore new symbolic language,pen and ink language and the use of colors.The fourth chapter mainly studies the value of urban landscape painting in Chinese painting,mainly analyzing the public’ s aesthetics and the contemporary painting charm of the landscape painters in the city.Finally,as far as the author himself is concerned,he conducts creative learning on the understanding of urban landscape painting to explore more possibilities of this subject,and the specific meaning of pen and ink in the painting.Contemporary urban landscape painting is a subject that every painter who paints landscape painting needs to pay attention to.Contemporary urban landscape painting,as an embodiment of the realistic aesthetics of "brush and ink should be of the times",has become an indispensable part of the development of contemporary Chinese landscape painting.