"Records Of Famous Paintings In Yizhou" And The Ideological World Of Shu Literati In The Late Tang And Early Song Dynasties

This thesis mainly discusses some issues related to the compilation of the book "Yizhou minghua Lu" from the perspective of the painting-historical authors,and attempts to put this book into its original context of its birth for analysis.The thesis is mainly divided into four parts.The first part focuses on Huang Xiufu,aiming at his life experience,friends and knowledge structure,so as to establish a rough cognition of Huang Xiufu.The second part discuss the writing background of "Yizhou Minghua Lu".It is believed that the trend of Confucianism revival since the middle and late Tang Dynasty has profoundly affected this The development of the Shu area in the period,led to the conclusion that although the literati represented by Huang Xiufu were strongly influenced by the two schools of Buddhism and Taoism,their ideological core was still connected to the Confucian tradition.All in all,it shows us the ideology of internal Confucianism and external Taoism.The third part is combined with the previous analysis of Huang Xiufu's ideological tendency,which further explores the writing of "Yizhou Minghua Lu",generally speaking from the motivation and aim of writing,the style and nature of the writing,the source and writing characteristics of historical materials and its unique evaluation perspective.From above seven aspects,it grasps the personal tendency of the authors revealed in his words,assuming that "Yizhou Minghua Lu" embodies a rigorous historical attitude and the characteristics of the times represented by the confluence of Confucianism,Buddhism and Taoism.To some degree,it became the origin of the later aesthetic paradigm.It is noticed that this kind of painting-historical writing concept is as same as Huang Xiufu's own knowledge,academic interest and state of mind.The fourth part,focusing on the artistic phenomenon in the "Yizhou Minghua Lu",pointing out that it not only reflects the actual situation of the social development of Shu area in this period,but also it heralds some new trends in the development of paintings,such as the commercialization of art,civilianization and secularization.Although the main analysis objects in the latter two parts of this thesis are the text content of "Yizhou Minghua Lu",but the third part is mainly reflected in the exploration and analysis of some "invisible" concepts,focusing on the side of the author.The subject's perspective reveals some intentions implicitly or intentionally in the writing process;the latter is extended on the basis of the "visible" reality,focusing on peeking into the specific development of the change and the future development trends in this period.Through the above analysis,on the one hand,it can deepen the understanding of Huang Xiufu,the author of "anonymous" painting history.On the other hand,it also helps us observe the development and evolution of the concept of painting in the Tang and Song Dynasties.All in all,the thesis attempts to re-examine the writing of "Yizhou Minghua Lu" from the perspective of overall history,providing a new perspectives for the related research of ancient Chinese paintings.