Li Huanzhi's Music Criticism Research

Li Huanzhi is a famous musician in modern and contemporary China.He has made great achievements in music creation,theory and social activities,and has made outstanding contributions to the development of China's music industry.Among them,music criticism is an important part of his music activities.Based on the principles of Marxist Aesthetics and music criticism,this paper studies Li Huanzhi's music criticism activities,explores the origin and development of his music criticism thoughts and the evolution of his music criticism ideas.First,by using the method of literature research,this paper combs Li Huanzhi's comments on composers,music works,music phenomena and music criticism,and analyzes the characteristics and ideological connotation of his comments combined with the historical context.Secondly,through the basic theory of music criticism,this paper analyzes Li Huanzhi's music criticism method and music criticism principle,and further investigates the "gain" and "loss" of his criticism method.At the same time,this paper analyzes Li Huanzhi's music criticism style and interprets his criticism mode of "moderation combat moderation".Thirdly,using the method of combining history with theory,this paper makes a historical consideration of Li Huanzhi's music criticism concept of "art for the sake of society" in the early days of the founding of the people's Republic of China and "integration of emotion and education" after the reform and opening up,and excavates the connotation of his criticism concept and the law of the evolution of the times.Finally,this paper summarizes the contribution of Li Huanzhi's music criticism activities,reflects and summarizes the Enlightenment of his music criticism subject quality and responsibility for future music criticism activities.