"The People Music" And Chinese Modern Music Criticism (1950-2010)

This paper founded 《People’s Music》which is the earliest positioning integrated musicjournal "Comments"of People’s Republic of China for the study,《people’s music》to promoteChina’s recent modern music criticism made important contributions to the main line, using acombination of qualitative and quantitative, textual interpretation, starting from the magazineof historical development trajectory analysis of the trajectory of the development of the"people’s music" music criticism in different historical stages of Chinese society. Review ofmusic criticism, summed up the hot issue of each period of music criticism, and explore theroad of my music criticism adhere to the principle of the hot issues, the influence and thesignificance. Textual research and empirical literature, on the basis of seeking truth andfalsification, highlighting the significance and academic value of the "people’s music" era, aswell as to bring music critics permanent revelation, to determine its historical status and leadto the development prospects of Chinese Music Critics thinking.This paper is divided into six parts. The introductory section mainly discusses the topicsof the research background, meaning and Research, to clarify the necessity of the "People’sMusic" and fill academic gaps innovative; first part, the founder of the "People’s Music"Background and Historical recalled that the development trajectory of running characteristicsof the music of the people and by the number of statistical analysis, and then discusses thestatus and influence of the "people’s music" in our music career; second part of the vigorousdevelopment of China’s socialist construction cause and made significant achievements of theperiod (1950to1966), the "people’s music around the major controversial issues of foreignsoil battle field of music criticism published articles, analysis of the functions and features ofthis period music criticism; Part III "people’s music" music criticism published article forclues to restore China’s reform and opening up and socialist modernization drive in the newperiod (1976to2000), music criticism of the impact of the "Cultural Revolution", to carry outa comprehensive set things right flourish, and critical articles published by the "people’smusic" and other music journals developed rapidly after the unrest in1989, the music industryhas experienced a brief period of circuitous twists stage, music criticism developmenttrajectory and the universe; Part IV explain the before and after China has entered a newcentury, the music industry after the new era (2000to2010) Music Criticism main concernand a hundred schools of thought contend, Hubbub, music criticism diversified developmentstage characteristics. Epilogue, focus on the the music criticism important value and positivesignificance of the historical process of the Chinese music, and the cause of the developmentof our music criticism prospect.