Research On The Narrative Form Of Northeastern Comedy Online Movies

Under the impact of epidemic,Chinese film industry is facing great changes.The multi-dimensional integration of the online film market and the Internet has accelerated.Against the background of the general downturn of the global film industry,China's film industry has grown against the trend and is becoming a form of cultural consumption that goes hand in hand with cinema.Therefore,it is necessary to focus on the academic research of popular movies in the field of online movies.Taking the series of "Siping youth·Erlong lake haoge" series as the core observation object,The first chapter combs out the ups and downs of the growth history of Chinese comedy online films.Although comedy online films have always been the guarantee of box office recovery,they are also facing multiple internal and external challenges.After the ups and downs from the barbaric growth period to the industrial pain period,and then to the blooming period,the overall narrative of comedy online films can change from regional expression to diversified,deep-seated and realistic expression,and absorb more professional capital and excellent creators To create more box office and word-of-mouth works.The second chapter selects the typical representative of the Northeast comedy network film series as the main research object,analyzes the narrative form of the series by using the narrative function theory of propap,divides the action line of the protagonist into four stages:Adventure opportunity,action means,Jedi counterattack and final destination,and sums up the four stages of "breaking the dilemma","getting involved in disputes" and "looking for people" "There are eleven kinds of narrative functions,which are "violence against violence","deception","coincidence","misunderstanding","alliance","one enemy to many","successful escape" and "die together".This shows that the narratives of the series are similar to those of Russian folktales,and the protagonists follow a fixed narrative structure or function to carry out their activities.The third chapter based on the theory of protagonist's action circle and Graemes' action meta theory,the author explores and summarizes the role model of the protagonist in the series,and focuses on the in-depth analysis of the connotation of the object of desire.Through the comparative analysis of the "Gu huo zai" series of action models,it is concluded that "survival" is the only object pursued by the protagonist.In addition,with the help of Greimas matrix model,this chapter also expounds the behavior mode of the protagonist "Chuang" and the interactive relationship between the characters,so as to consolidate the stable structure of the series narrative again.Finally,the theme of the series is assigned to grasp the core of the series.In the fourth chapter,this paper observes the overall narrative form of the series,and looks at the overall creation ecology of the Northeast comedy network film.It is found that the narrative of northeast comedy generally inherits many performance characteristics of Northeast Folk comedy,especially Errenzhuan.Under the packaging of film narrative mode and Internet media,through active improvement and upgrading,it forms a unique narrative feature This provides a thinking angle for the study of the overall characteristics of northeast comedy network film and the future direction of creation.The purpose of this study is to construct the narrative basis of the Northeast comedy network film by combing the narrative function and action meta model of the series,so as to make up for the blank in the field of film structure narratology.In addition,it is hoped that the academic research on online movies will be led to the subdivided fields,which will arouse the attention of the academic circles to the phenomenon of online movie types,and deeply cultivate the unique narrative style of northeast comedy online movies,so as to open up a path for the future systematic research on China's film and television industry.