Application Analysis Of Xinjiang Almond Wood Grain Design

Badan wood grain is one of the most important ethnic patterns of Uygur people in Xinjiang.It is widely used in all kinds of utensils in daily life in Xinjiang and has a common sense of recognition in Xinjiang.In this paper,based on the love of home and attention to through the xinjiang characteristic patterns of the almonds modern design research,combing the xinjiang native culture and the typical design,record the national traditional art design style,retained the raw data of the xinjiang grain appearance,also give the traditional patterns of contemporary connotation,put forward new feasibility for xinjiang national art design,promote the development of xinjiang art design.At present,the research of Xinjiang pattern mostly stays in the connotation analysis of pattern,mainly focusing on the religious connotation of pattern and the classification of pattern types.There are few applied analysis researches,and a few applied and innovative design researches focus on the field of costume design,and there is no discussion on Badanwood pattern placed in the larger design view.In this paper,the design possibility of combining new Badan wood grain with new technology is discussed by placing Badan wood grain in the view of macro design.The design method of element analysis and reconstruction is adopted in this paper.The second chapter briefly analyzes the shape structure and cultural implication of Badan wood grain.The third chapter carries on the application carding to the Badan wood grain.The fourth chapter clarifies that the outline and decoration of the Badan wood are the basic modeling,and carries on the design practice,and completes the design draft with the combination of characters and classic elements.In the fourth chapter,the inheritance and innovation of Badan wood grain is explained from the perspective of big design,and the possibility of combining Badan wood grain with various new technologies,such as biotechnology,porous materials and additive manufacturing,is especially analyzed.Badan wood grain has a flexible structure and strong plasticity.It also shows a good adaptability in the combination of new materials.Modern traditional art forms should not be simply inherited or improved without any purpose.The real inheritance should be the combination of the past and the current development needs in the new context of The Times,and the new look under the new interpretation in the new context.