A Comparative Analysis Of The Creative Techniques And Performance Skills Of The Three Piano Solo Arrangements Of Stravinsky's Firebird Suite

Stravinsky's symphonic suite Firebird is a representative work in its rich acoustics and artistic expressiveness.The object of this article is the three piano solo adaptations of Stravinsky's Firebird Suite: Stravinsky,Raphling and Agosti.Combining with the creative background of the original Firebird and the total score of the band,this article makes an in-depth comparison of the three versions respectively from the tone arrangement of parts and the writing technique of texture.Agosti's imagination is more abundant in the arrangement of vocal areas,and he can imitate the band better.In terms of acoustics simulation,the actual acoustics of Raphling's adapted works deviate slightly from those of the band,but they have certain uniqueness.Finally,combining with my own performance practice,the author also makes a comparative analysis on the level division and timbre processing of the three adaptations of Firebird.It also provides some ideas for the compilation of fingering in special cases.