A Study Of Mi'an In The "Three Strokes At The End Of The Bakuboku" From The Perspective Of Sino-Japanese Exchanges

Japanese calligraphy in Edo era is closely related to Chinese calligraphy.Ichikawa Mian,a calligrapher in this era,is not only an important calligrapher called ’three strokes’ in Japan,but also a scholar of China.,he is also a calligrapher who absorbs the most nutrition from Chinese calligraphy,and his personal achievements are closely related to Sino-Japanese calligraphy exchanges.This article takes Ichikawa Mian,a calligrapher of Tang style in the late Edo period of Japan,as the main research object,and from the perspective of Sino-Japanese calligraphy exchange,through the analysis of his calligraphy approach,calligraphy thoughts and calligraphy influence.In addition,taking Ichikawa Myan Temple as an example,this paper explores how Chinese calligraphy has an impact on Japanese calligraphers and schools,and further discusses how Japanese Tang sample calligraphers draw nutrition from Chinese calligraphy.