Research On The Narrative Strategy Of Domestic Crime Suspense Films Since 2010

As a subtype of suspense movies,crime suspense movies,with criminal content as the core,supplemented by suspense techniques,have contributed a lot of excellent movies in the United States,South Korea and other countries.However,the crime suspense films in China started late,and the contribution of production and box office was low before 2010,and rarely attracted the attention of film and television creators and audiences.However,after 2010,the government has promoted the reform of the film market and the application of new network technologies.The soil and conditions for cultivating crime suspense films have gradually matured,and the content and form of creation have become more diversified and enriched.In recent ten years,crime suspense movies not only show a good trend in quantity,box office and word-of-mouth,but also boldly explore and innovate in the change of narrative strategy,expand the narrative content,change the narrative techniques from single to diversified,and change the narrative characters from flat to three-dimensional,which has caused a large number of audience and research It is widely concerned by scholars and all walks of life.This paper takes the domestic crime suspense film since 2010 as the research object,analyzes its concept positioning as a subtype,historical development status and the strategies and methods used in the narrative level,in order to better summarize the experience and lessons,and promote the development and maturity of domestic crime suspense film.The first chapter of this paper mainly summarizes the scope and direction of academic research,defines the concept of crime suspense film,and fully explains the research innovation.The second chapter clarifies the historical development of this type in China,and summarizes its outstanding achievements in quantity,quality,box office and investment in the past decade.The third chapter analyzes and summarizes its narrative characteristics from the aspects of type fusion,theme setting and suspense laying.The fourth chapter mainly analyzes the original narrative structure of crime suspense films in China.First of all,it adopts a non-linear narrative structure to fully show the complex structural logic.Secondly,it presents multidimensional narrative space-time in narrative time and narrative space.Finally,in the narrative perspective,we use multiple perspectives to trace the truth of the crime,and use multiple cohesive focus to create and enlarge the sense of fog.The fifth chapter shows the richness of narrative characters,the struggle after persecution in characters' dilemma,the alienation of human nature under desire in characters' goal,and the disintegration of binary opposition structure in characters' character.The conclusion summarizes the development status and narrative strategy changes of crime suspense movies in recent ten years,and then summarizes the reasons,explores the existing problems and puts forward some constructive suggestions.