Research By China Film Culture Association

In the 1920's and 1930's,the social situation was complicated and complicated,and Chinese films struggled in the predicament of internal and external problems.As a vital part of the development of film history in 1933,the Chinese film culture movement has many closely related organizations.The China Film Culture Association played an important role in this movement,which had a significant impact at the time and even in history.The article starts from association,and takes the film association of the first Chinese film culture movement: the China Film Culture Association as the research object,and provides historical care for it.The 1930 s was the most radical period for Chinese film.In 1933,it was also called the Chinese Film Year,and the film art as a whole changed.The film company changed its production policy due to industry or company development considerations,filming turned to realism,and intellectuals from all walks of life also joined the film front.The China Film Culture Association is closely related to the film culture movement.The article starts with the organization's principles,institutions,personnel,and activities.At the same time,it conducts a comparative study with other film industry organizations or cultural groups.Therefore,the focus of the article is to restore the original history of the China Film Culture Association.The article is divided into five parts.The first part is the introduction,including related narration and research and difficult points of the dissertation.The second part is the factors of the establishment of China Film Culture Association.From the social environment of the association and the multi-dimensional impact of politics,economy,ideology and culture after the May 4th New Cultural Movement,the Chinese film industry has brought positive influences and exposure of abuses within the industry.An analysis of the "Strong Society" and the filmmaker association "Southland Society" disintegrated due to homogeneous reasons without a unified purpose.The third part is China Film Culture Association and Film Culture Movement.Discusses the broad professionalism and uncertainty of the association's institutions,the regional character and complexity of the identity,the activities and scope of the association,and the relationship between the association and the Chinese film culture movement.The fourth part is the comparative study between China Film Culture Association and other "associations".The company's "Shadow Research Association" is compared with the official "China Educational Film Association",and the comparative research is conducted in terms of nature,articles of association,departmental position settings,membership,and film works.The film is an art organization,and the China Film Education Film Association is an educational organization.The fifth part is the conclusion,progressive groups in the torrent of the times.The historical investigation and historical status of the China Film Culture Association are summarized.Art groups set up for purely artistic hobbies or friendship purposes were dissolved shortly after due to reasons such as politics,economy,and ability to execute on purpose.The reason for dissolution is related to the external social environment,and it is also closely related to internal reasons such as decentralized thinking and poor management of group members.Although the China Film Culture Association has a short duration,it has carried out a series of activities: the focus of film subjects on realism,the emergence of intellectuals from all walks of life in the film critics,and the change of the film company's business philosophy.Compared with the China Film and Drama Research Association,the China Film Culture Association lacks direct film works.Compared with the China Educational Film Association,the two have similar roles in terms of organization and membership,and Chinese education films in social functions.The association is enlightening.The study of the historical trajectory of the China Film Culture Association is helpful to supplement and correct the gaps or injustices in the early history of Chinese film.Contribute to the interpretation.