Study On The Creative Design Of Mural Painting In Shengmu Temple In Fenyang,Shanxi

Our Lady of Fenyang Temple in Shanxi Province is located in Tiancun,northwest of Fenyang City,Shanxi Province,and the murals stored in the temple are treasures of the murals of the Ming Dynasty temple.The content of the mural depicts the living and living scenes of the Virgin Mary,which is a portrayal of the real life of the harem of the Ming Dynasty,reflecting the beliefs and aspirations of the people at that time.This paper takes the cultural and creative design of the murals of the Temple of Our Lady of Fenyang,Shanxi as the main research object.Firstly,the historical background,presentation content and artistic characteristics of the mural were sorted out in detail by field research and document analysis,and the content was divided into three parts: the east wall "Ying Driving Map",the west wall "Patrol Luck Map" and the north wall "Yanle Map".Secondly,the questionnaire survey method was used to analyze the cultural and creative design of the murals of the Fenyang Notre Dame Temple in detail,and the design principles and methods were summarized.Finally,combined with the overview and design requirements of the murals of the Fenyang Notre Dame Temple in the early stage,the three series of design schemes are clarified.In the design practice,according to the design methods of element extraction,element redesign and carrier selection,the mural character image elements are extracted for emotional and dynamic processing,and some elements in the design are replaced with modern things to make a cultural and creative design that conforms to the aesthetics of modern design.In terms of carrier selection,stationery products and daily necessities are mainly used as the presentation methods to form cultural and creative products that fit modern life.It is hoped that through the development of cultural and creative products of the murals of Our Lady Templ in Fenyang,Shanxi,the development of the local cultural and creative industry will be promoted,the inheritance and development of the mural culture of the Notre Dame Temple will be increased,and at the same time practical experience and theoretical reference will be provided for other scholars.