Studies On Music Culture Space Of Mingzhou(Ningbo) City In Song Dynasty

Ningbo is an important city in Zhejiang Province and was called Mingzhou in ancient times.Among the propositions of urban music culture in Mingzhou,the most important thing is to solve the relationship between people and music in urban space life,which is the basis of this topic of urban research.While rebuilding and constructing settlements,human beings will inevitably receive the influence of the internal space culture of the city,and the urban space culture will change due to the interlocking of politics,economy,and even interpersonal communication networks.This article takes the places and occasions inside the urban space as the starting point.The concept of place is not only based on traditional geographical concepts,but the role of "people" added after the specific geographical location focuses on the social meaning of the space.While the concept of occasion is attached to the activities of "people",it also emphasizes the cognitive space,emotional state and identity attributes of different groups of people in the interior of the city.Therefore,this article takes Mingzhou’s urban music culture as the research object,and restores the complete appearance of Mingzhou’s urban music culture from different perspectives of places and occasions.This topic belongs to the urban music research category of ancient music historiography,and it also belongs to the research category of interdisciplinary history of music literature.The article is divided into three chapters:The first chapter is a simple analysis of the background of the formation of urban music culture in Mingzhou during the Song Dynasty.It is divided into the Mingzhou area in the pre-Song period and the Mingzhou city since the Song Dynasty.Chapter Two summarizes the venues of urban music in Mingzhou,and summarizes the distribution relationship of music activities led by different groups in the urban space.The music venues are divided into public music venues led by literati,private music venues and folk music venues led by ordinary citizens.In order to objectively look at the music district planning of Mingzhou city.Chapter Three further discusses the dominant crowds in Mingzhou urban music scenes and the identity consciousness reflected in the occasions,revealing the cultural significance carried by the Mingzhou urban music scenes.Finally,in the conclusion of this topic,it is believed that Mingzhou presents a music culture dominated by family literati.Although Mingzhou citizens pay attention to the connection of rural consciousness,the rules of the city are always stipulated by family scholars.They are between completion and common people.While music exchanges and dialogues,it also gains social prestige with the help of local identity.This is the basic and upper-level characteristics of the family gentry shown in the urban music culture of Mingzhou.Second,due to the convenient geographical location of the coastal port,Mingzhou has improved its political status,but its cultural level has never been equal to that of other "cultural towns",and its traditional culture is weak.