Li Panlong’s Prose Creation Theory And Essay Research Under The Influence Of The Concept Of Classics And History

Li Panlong was the leader of the second restoration movement in the Ming Dynasty.His literary concepts and poetic creations were often restrained and exaggerated in the history of literature and criticism.These elaborations are either based on the consideration of narrative strategies,or lack thereof.The sympathy of understanding does not objectively and dialectically view the complexity of Li Panlong’s retro literary ideas and creative practice.Therefore,this paper will examine how to construct the model of the article and the principles of creation in the historical context of the changing relationship between the classics and history,and examine Li Panlong’s influence on the style of poetry and prose that emerged in the Ming Dynasty.To what extent the creation of the newly changed prelude style style since the Tang and Song dynasties is consistent with his pursuit of retro style,and in what aspects is it subject to the fixed system of style and the influence of the times,so as to rethink its role in retro style.meaning in trend.The first chapter examines how Li Panlong chooses different knowledge texts to reconstruct his literary interest and pedigree under the change of the relationship between classics and history.The second chapter studies Li Panlong’s essay creation theory.This paper discusses the principles of Li Panlong’s writing under the influence of erudite ideas in ancient ways from the rhetoric,content and jurisprudence of his articles,including the rhetoric view of paying equal attention to reason and words,the literary view of advocating quality and elegance,and the jurisprudence view of subjecting words to matters.Next,from the article creation of Li Panlong,discuss his creation practice under the influence of retro article interest and creation principle.The third chapter examines the creation of li Panlong’s complimentary preface,analyzes the structure of the text,rhetoric,style of the article,and makes the structure of the article neat and simple.Attached to the archaism of the present,the article can not help but be engraved and stagnant.The fourth chapter analyzes the creation of Li Panlong’s epitaph,starting from the perspective of the article system,analyzes that it not only absorbs the history and Han style to refine the narrative,but also achieves the purpose of explaining the matter through personalized techniques.The contradictions within his theory,and the separation and separation of creation and theory,are showing the potential energy of literature itself to change,while the literary trends of the Ming generation went on and on,infiltrated and supplemented each other in the conflict of opposites.