A Study On The Interest Of Harmonious Customs In Bogu Tu In The Late Qing Dynasty And The Early Republic Of China

With the development of the commodity economy in the late Qing Dynasty,the"miscellaneous streams" of Chinese painting,which originally belonged to the Bo Gu Tu,gained wider recognition and gathered a group of painters who created Bo Gu Tu,entering a prosperous stage of its development.Both in terms of quantity and quality,Bogu Tu has reached an unprecedented prosperity at this time.The previous discussion on Bogutu is more inclined to case studies,and there is still some room for exploring the overall interest of Bogutu in the late Qing Dynasty and early Republican period.In this paper,we will take the harmonious and vulgar interest of Bogutu as the entry point,and combine it with the representative Bogutu for detailed analysis and interpretation,in an attempt to explore the specific performance,causes,spiritual connotation and cultural psychology of the harmonious and vulgar interest of Bogutu in the late Qing Dynasty and early Ming Dynasty.This thesis consists of four main parts,the first part of the thesis explains the historical flow of the bogu and the development of the bogu in the late Qing Dynasty and early Ming Dynasty;the second part of the thesis explores the specific manifestation of the harmonic interest in the bogu in the late Qing Dynasty and early Ming Dynasty through the method of work analysis,from four perspectives,such as the choice of subject matter,coloring style,modeling performance,business location,etc.,the auspicious symbolism in the choice of subject matter,the gorgeous folk style of coloring,the free realism in modeling The third part focuses on sorting out the reasons for the emergence of harmonious vulgarity in the late Qing Dynasty and early Ming Dynasty.The revival of jinshi science,the creator’s mentality of entering the world to please the public,and the commercialization of art works have all had an impact on the formation of the harmonic vulgarity in the bogu pictures;the fourth part focuses on reflecting on the harmonic vulgarity in the bogu pictures of the late Qing Dynasty and the early Ming Dynasty,mainly exploring the "jinshi gas" embedded in the bogu pictures of the late Qing Dynasty and the The fourth part focuses on reflecting on the"jinshi gas" and "vulgarity" hidden in the late Qing dynasty and early Ming dynasty bogu drawings,the spiritual connotation and cultural psychology of bogu drawings under the harmonious vulgarity,and the inspiration for the creation of modern contemporary bogu drawings.The harmonious and vulgar interest in the Bo Gu Tu is not only a unique aesthetic interest of Chinese painting art,but also a complement to the majestic and majestic spiritual heritage of the Chinese nation.As an imaginary symbol,the ancient objects in the picture of Bogu are not only a carrier of traditional culture,but also a symbol of wealth and status.The fruits and vegetables,which are common elements in daily life,are paired with antique objects to better suit the aesthetics of the public.The embodiment of harmonious vulgarity in the late Qing dynasty and early Ming dynasty,the embodiment of fun,the construction of a different style of painting from the previous period,to a large extent,to improve the public’s attention and recognition of the Bogu.Bogutu,carrying the memory of the nation.Through a systematic and in-depth study of the harmonic and vulgar interests in the late Qing dynasty and early civilization,the cultural value and significance of Bogutu in this special period of the late Qing dynasty and early civilization can be discovered to a certain extent.