Analysis Of Plane Elements In Modern Calligraphy

After the reform and opening up,the rapid development of socio-economic and cultural,and the east-west culture was constantly communicating and collision,and people’s aesthetic interest continued to change.Western art thought and Japanese modern calligraphy also had an impact on Chinese calligraphy.Since the first exhibition of modern calligraphy in Beijing in 1985,the concept of modern calligraphy has been officially proposed.Although there are many different ways,"modern calligraphy" Title seems to be widely accepted by the academic community.In the next forty years,it will continue to appear in various forms,and constantly refresh people’s awareness of modern calligraphy.This phenomenon has still been today.There are still a number of explorers and followers.The plane composition is completely from the Western design concept.After the continuous development of my country has formed three major theories.The two seem to have little relationship,but both belong to the art of styling in two-dimensional space,and have many common points.Incorporating the elements and forms of planes into the creation of modern calligraphy,in other words,if you add the awareness of plane to the creation of modern calligraphy,you may bring some creative consciousness in the creation of modern calligraphy.This article takes Inoue’s calligraphy works as an example to analyze the relationship and commonality between modern calligraphy and plane composition from the three aspects: basic elements,basic forms and forms of the United States.Modern calligraphy creation must continuously receive new ideas,new methods and new materials,and boldly practice to integrate the plane composition elements into its own creation.This is not only the need for its own development,but also the development of modern calligraphy art.The need.