A Study On The Formal Language Of Contemporary Boneless Flower-and-bird Painting

This topic starts from the theory and practice of traditional Mogu flower and bird painting,combines with the development status of contemporary Mogu flower and bird painting,analyzes the formal language in contemporary Mogu flower and bird painting from the aesthetic point of view,guides readers to understand the cultural heritage and humanistic spirit contained in the contemporary Mogu flower and bird painting,and triggers the thinking of inheritance and innovation of contemporary Mogu flower and bird painting.Firstly,this paper combs the origin,definition and the performance characteristics of the traditional flower and bird painting.Secondly,it analyzes the innovation and development of the formal language in the contemporary context,studies the characteristics of the form language in the creation of the contemporary bony flower and bird painters,and deeply excavates the innovative development and breakthrough of the texture,color,composition,modeling,techniques and materials in their paintings Leather.Finally,this paper summarizes the thinking and understanding of this kind of painting,combined with practical creation,expounds the innovative research and expression of the form language of the contemporary Mogu flower and bird painting in my creation,and puts forward some own opinions for the innovation and diversified development of the form language of the contemporary Mogu flower and bird painting.