| The article starts from the woodblock prints in the Ming and Qing Dynasties and discusses and summarizes its artistic characteristics from various angles.At the same time,woodcut prints are the records and inheritance of human civilization,and the woodcut New Year pictures of the Ming and Qing Dynasties in China are also a key to the opening of the Japanese ukiyo-e culture in the same period.Contrast,carry on the overall narrative,the overall analysis.The article is divided into the following three parts,one is a summary of the history of Chinese woodcut prints,mainly on the artistic language,style characteristics,aesthetic function and development status of woodcut prints;the second is the development of woodcut prints in the Ming and Qing Dynasties With the staged exploration,the representative works of woodcut prints in the Ming and Qing Dynasties were used as examples to show the outstanding artistic achievements of this period;finally,the comparison between woodcut prints in the Ming and Qing Dynasties and the Japanese ukiyo-e art,from the style characteristics and color skills Discussed in two aspects,and looked at the development of woodblock prints in Ming and Qing Dynasties in China through the development of Ukiyo-e art.Admittedly,we do not see such engraved pictures in the history books we are familiar with.However,with the subsequent publication of other works in the future,they have a direct or indirect relationship with woodblock prints.After the 1990 s,the wood carvings of the Ming and Qing dynasties almost disappeared from the public’s perspective.Referring to the innovative measures of Ukiyo-e in the 21 st century,on the one hand,we must seek the secularization of the wood carvings of the Ming and Qing Dynasties so that it can be circulated to the market no matter what kind of daily necessities or film and television images.On the other hand,academic printmaking artists also need to focus on the collection and sorting of the Ming and Qing woodcut materials and the nationality inherited in the creation of new prints.After all,such brilliant and brilliant woodcut prints in Ming and Qing are really not good regret.In contrast to today’s art diversity,inheritance and innovation are two ever-changing themes.Therefore,our art creators should grasp the scale of inheritance and innovation.While inheriting the shining history of national art,we should continue to hide our spirits and keep new ideas.Carry it forward. |