Research On The Modeling Performance Of Crane In Bianjingzhao’s ’Taixiantu’

Crane-themed meticulous painting plays an important role in Chinese traditional painting.Because crane itself has special symbolic significance in Chinese traditional culture,crane ’s appearance is elegant and beautiful,so it is very popular with Chinese people.In different historical periods,a large number of painters created rich artistic works based on crane ’s modeling.Bian Jingzhao,a famous court flower-and-bird painter in the early Ming Dynasty,wrote many paintings with crane themes,which were very popular among the official and folk in the Ming Dynasty.The style is both elegant and elegant,with a relaxed and wild atmosphere.The painting aesthetics formed by the court painting in the Ming Dynasty under the will of the court also has its own characteristics.It not only inherits the wealth of Huang Quan in the Tang and Song Dynasties,but also produces the light style of boneless and thick ink.This paper analyzes the modeling characteristics,aesthetic tendency and formation reasons of the crane by combing the modeling characteristics of the crane in Bianjingzhao ’s long scroll masterpiece ’ Taixiantu ’.This paper compares and analyzes the modeling characteristics of crane in ’ Taixiantu ’ with those of other ancient painters,summarizes the characteristics of its expression techniques from two aspects of structure and posture,analyzes the inheritance and innovation of the modeling performance of crane in this work,and explores the role of Bian Jingzhao in the traditional meticulous flower-and-bird painting of crane theme and its influence on the author ’s crane theme creation.This article will be divided into five chapters to elaborate : The first chapter,starting from the historical background,through the analysis of the bird modeling style and expression techniques in the flower and bird painting of the Ming Dynasty,analyzes the modeling performance characteristics of Bian Jingzhao ’s meticulous flower and bird painting and its causes.The second chapter summarizes the inheritance and development of history by sorting out the modeling characteristics of crane in Bian Jingzhao ’s meticulous flower and bird painting and analyzing the evolution law of crane in historical culture.The third chapter classifies and summarizes the modeling of the crane in Bian Jingzhao ’s ’ Taixiantu ’,and summarizes the modeling characteristics and expression techniques of the crane in this work from two aspects of structure and posture.The fourth chapter explores the influence of crane’s modeling performance on other painters in Bian Jingzhao ’s meticulous flower and bird painting.The fifth chapter expounds the influence of the modeling performance of crane in Bian Jingzhao ’s meticulous flower and bird painting on the author ’s creation.In the traditional meticulous flower and bird painting,the works of crane theme often have the symbolic significance of ’ crane longevity ’,’ auspicious ’ and ’ fairy ’,and the modeling is often dominated by the dignified and elegant crane posture.In Bian Jingzhao ’s ’Fetal Immortal Figure ’,we can see the modeling performance of crane standing,crane flying,crane lying,crane dancing and playing.Therefore,the modeling performance characteristics of crane in Bian Jingzhao ’s meticulous flower-and-bird painting works not only have the realism of Seiko,but also have the tendency of relaxing literati painting,and have more anthropomorphic interest,which provides reference and inspiration for us in the modeling performance of crane theme meticulous flower-and-bird painting.