Public Art Design Of Tumed Right Banner Culture Square From The Perspective Of Space Gene

Tumed Right Banner is the gathering place of Mongolian,Han and Tibetan cultures,and is the "Golden Triangle area" that embodies the great integration of the Chinese nation in Inner Mongolia.Its spatial gene has profound historical heritage and artistic value,embodies the characteristics of Chinese culture and the history of multi-ethnic exchange and integration,is the value of Chinese civilization,but also an important carrier to cast the Chinese nation’s sense of community.Public art is the product of urban development,which has epochal,expressive and functional characteristics.However,as one of the business cards to display the city image,the existing public art works of Tumed Right Banner cultural square do not reflect the image of Tumed Right Banner of "landscape city temple,cultural integration",which is difficult to increase the sense of belonging of local residents to Tumed Right Banner,let alone improve the awareness of foreign tourists to Tumed Right Banner.In order to enhance the cultural connotation of the public art works of Tumed Right Banner cultural square,the public art works can better display the humanistic image of Tumed Right Banner.The research process of this paper is as follows: First,through the basic research methods such as literature method and comparison method,the unique and stable organization pattern of Tumed Right Banner urban spatial gene is extracted from the complex urban form;Secondly,the characteristic gene combination of the unearthed right banner was summarized,and the design of the urban cultural square with the theme of "Ancient City Temple" was further determined.Finally,the design theme of the city cultural square is used to guide the creation of public art works in the cultural square,solve the problems of unclear theme and incomplete urban image building in the public art works of Tumed Right Banner Cultural square,and deepen the cultural belonging of local residents and the Chinese cultural identity of foreign tourists.The research shows that China’s public art design should emphasize more ethnic cultural self-confidence and characteristics,and the proposal of space gene provides a relatively specific thinking Angle for the regional design of public art in China,which is a new direction of the integration of local elements and public art,and is an effective means to improve the urban appearance and human history.The unique and stable organizational pattern in the urban spatial gene of Tumed Right is extracted from the complex urban form,so that this pattern can provide inspiration materials and symbols for the public art creation of the cultural square.The spatial gene with ethnic characteristics is the embodiment of people’s values and aesthetic emotions,which is the aggregation of the urban spirit and the continuation of the urban context.It is conducive to the construction of Chinese cultural symbols shared by all ethnic groups.The application of local spatial genetic characteristics to local public art can enhance the cultural identity of local residents.Integrating spatial gene into public art design according to local conditions can effectively emphasize the self-confidence of Chinese culture and cast a strong sense of Chinese community.