An Analysis Of Intonation In The Basic Practice Of Erhu

In music learning,no matter what form of art,pitch is an inevitable topic.It is one of the most critical factors in music works.The accuracy of pitch affects the expressiveness of the whole work,so improving their pitch level as much as possible is the common goal pursued by all music learners.As a traditional musical instrument of the Chinese nation,Erhu has a long history and distinct personality.It has no taste in structure,and the strings are also suspended.It has a strong second-degree creation space.Because of this,erhu has created one of the greatest advantages,that is,it has a strong "onomatopoeia" and can imitate people freely.We sing,because players can imitate human voices through pressing,sliding,kneading and other playing techniques on the strings.However,dialectics tells us that everything has two sides.In addition to having this greatest advantage,the erhu instrument also creates an inevitable disadvantage,that is,the pitch of erhu is difficult to control,because there is no fingerboard,and the player’s finger spacing,string pressure strength and hand shape will affect the pitch of erhu,because This erhu is a powerful challenge for the player’s playing skills and auditory level.Erhu’s playing posture is incorrect and the technical practice is not in place.If good muscle memory is not formed,the sound will be inaccurate when playing.Lack of auditory training leads to insensitivity to hearing and inaccurate sound,so try more.Singing and ear training,scientifically and correctly strengthening the practice time of erhu are essential to practice the pitch.For every erhu player,the requirements for pitch should be endless,because there is no best for the pitch,only better.