Design Of The Entrance Space Of Dong Traditional Village Based On Catalyst Theory

This study takes Fujian non-legacy Puxian opera as the research object,deeply excavates the opera culture of Mianxian opera,and integrates this special ethnic culture into the creation of animation.At the same time,combined with the reception theory,this paper investigates and studies the young people’s preferences for the subject matter,style and soundtrack of animation in Puxian area,pertinently carries out the creation of animation and the spread of Puxian opera culture,and tries to associate animation with dissemination and inheritance,so as to create inspirational animation with ethnic character.This paper analyzes the influence and function of reception theory on the creation of non-legacy theme animation,studies the treatment method of the integration of Puxian opera culture and inspirational stories,and explores the new way of spreading and inheriting Puxian opera culture.Strive to enable viewers to fully accept the audio-visual animation and stories,understand the cultural charm of Puxian opera,and arouse their sense of ethnic cultural identity.First of all,this paper summarizes the current situation of domestic and foreign experts and scholars on Puxian opera art research,the combination of opera and animation and the application of reception theory.Through the carding and study of the literature,it is found that the combination of Puxian opera and animation is mostly theoretical analysis,the literature of animation design practice is less,and the research on the combination of Fengxian opera and animation is in a blank.Through a large number of literature collection,the study of Puxian opera performance style,singing and other artistic characteristics,according to the artistic characteristics of Puxian opera,using the relevant knowledge of animation,to explore the feasibility of the combination of Puxian opera and animation,how to combine and so on.The second is to apply reception theory to animation design.Puxian opera is performed and sung by Puxian dialects,which is difficult for non-locals to inherit.When designing animation,it is necessary to fully consider the preferences and culture of the audience.Therefore,an animation questionnaire survey for young people in Puxian area is designed to collect data from the aspects of painting style,theme,music and so on.Let the "author" and "reader"(audience)participate in the creation of this animation.Therefore,how to balance the two in animation creation is also the content of this topic discussion and research.The last part is the creative practice,which is divided into the early,middle and later stages.The preliminary work is mainly to determine the theme and conceive the script.Through the way of the questionnaire,it is determined that the animation shows the theme of "inheritance" in an inspirational way,and writes the script according to the theme conception,and selects the Puxian opera suitable for the script combined with plot deletion and fusion;in the middle stage,the main work is role design,scene design,action design and the design and complement of the original painting;in the later stage,it includes editing,dubbing,narration,subtitles and so on.At present,the practical theory of the combination of Puxian opera and animation is still blank,while the intangible cultural heritage of Puxian opera is also facing the problem of survival and inheritance,which needs new art forms and new blood to join.Young people are the best age to cultivate this kind of artistic interest.Animation is a way of communication that they like to watch and can accept.The agreement between Fengxian opera and animation has precisely become one of the best ways to spread Puxian opera culture,with inspirational themes.Integrate Puxian opera culture,let young audiences resonate,re-stimulate the younger generation,for this ancient art understanding and recognition.This is the original intention of making animation and writing text.