Spatial Narrative Creation Of Documentary Interview Program

Since the launch of Eastern Time and Space in 1993,TV documentary programs and interview programs have become more active on the screen.TV stations around the country have launched documentary programs one after another,which makes the two types of programs develop rapidly.TV interview programs,on the other hand,use face-to-face communication between the host and the interviewee to convey information to the audience.This type of program style breaks the traditional way of one-way information transmission by the host,so that the audience can realize the core values presented by the program itself.Television programs take the visible picture as the narrative language,objectively manifested as the continuous movement of visual space.From this point of view,the essence of the narration of TV programs is a spatial narrative,which cannot be ignored if we want to talk about the narration of TV programs.Therefore,when discussing the creation of graduation work Looking for Li Qingzhao,how to use spatial narrative techniques to structure the work and create a documentary interview program becomes the direction of this paper.Strive to make the image of the interview subjects more full,make the documentary style of the theme of the work more prominent,so as to achieve the sense of scene and authenticity of documentary interview programs.In this paper,supported by theoretical knowledge,combined with graduation creation,the presentation of space narrative in documentary interview programs.This paper is divided into four parts: the first part and the second part are the research overview and the exposition of the works,consolidating the theoretical basis of this paper and the practical basis of the works;The third part mainly focuses on the overview of documentary interview programs and the overview of spatial narration,and finally studies the spatial narration of documentary interview programs by combining the two.In the fourth part,the conception of space environment and scene selection in the preliminary preparation of Looking for Li Qingzhao is expounded in combination with practice,as well as the capture and application of documentary elements during the creation,and the cross-cutting of space environment in the post-production process.This paper will focus on these four parts to analyze the role of spatial narration in documentary interview programs.